Karl Malden Quotes
Quotes to Explore
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I think 4 percent growth is a good goal. And I think the fact that we have become used to an economy that sort of putt putts along between 1 and 2 percent is sort of tragic.
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I always loved music, and I always wanted to make a film about it, but I could never do it because of the censorship that was around.
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I think the only advice I can give you on how to live your life well is, first off, remember... it's not the things we do in life that we regret on our deathbed, it is the things we do not.
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I want to help middle-school girls stay interested in math and be good at it, and see it as friendly and accessible and not this scary thing. Everyone else in society tells them it's not for them. It's for nerdy white guys with pocket protectors.
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One of the most important tools we have at the Small Business Administration (SBA) to reach high growth entrepreneurs is the Small Business Investment Company (SBIC) program.
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I never underestimate my opponent, but I never underestimate my talents.
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I see the city as an organism, shaped through time by the little humans having habits and doing millions of stuff in and out of it.
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I learn something not because I have to, but because I really want to. That's the same view I have for performing. I'm performing because I really want to, not because I have to bring bread back home.
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Around my house, I won't even speak to my family unless they first address me by my official Berzerker name, Godred Crovan, Victor of Sky-Hill and Ruler of Man and the Isles. And now that I think of it, that's probably why nobody speaks to me unless it's time to feed the dogs or take out the garbage.
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Almost immediately, I remember right when Tikrit even fell, a few days after Baghdad fell, there was talks of insurgency, there was talks of jihad and of resisting the American occupiers, and slowly this turned into an organized movement.
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I've spent most of my mature life trying to prove that I'm not irresponsible.
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No days off. I'm a workaholic.
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I used to rely on black-and-white, and while I was working on 'Smile,' I learned to adapt to color on my end.
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I love physical kinds of comedy and getting down and dirty and doing stunts. When I was growing up, I was always getting into fights with guys and usually punching out boys my age because I was a lot bigger and tougher. So I'm naturally accustomed to putting myself into the headspace of a girl who can take care of herself.
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Even in literature and art, no man who bothers about originality will ever be original: whereas if you simply try to tell the truth (without caring twopence how often it has been told before) you will, nine times out of ten, become original without ever having noticed it.
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Getting money is not all a man's business: to cultivate kindness is a valuable part of the business of life.
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I usually prepare a track, and then I work with the artist when it's time to do the vocals.
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We served on the editorial board of a literary monthly called Face in 1968 and 1969. He was a young writer, and I was also interested in broad cultural issues. We agreed on all major issues and became friends.
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Mustard believes in me so much. It's good to have a mentor that's been through it. Even though he's a producer, he's been a new artist.
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Is there any good reason why we cannot extend our multi-cultural generosity to include another dimension? That of time. The past, too, is another country. Its ghosts may look strange and frightening and slightly misshapen in body and mind, but all the more reason then, to welcome them to our shores.
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I was curious and hungry at a young age, and jazz was such a mystery to me, an ocean where you can express yourself in the moment. It represented freedom, it represented wearing wings and going somewhere with music.
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In the company of the accomplished, people hope it will rub off on themselves, in the company of the misfortunate, they fear it!
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I'm a third done into a new book but sorry - I have a superstition about talking about it!
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Norman deserved that award; he's a damn good director, ... The Cincinnati Kid.
