Klaus Schulze Quotes
Quotes to Explore
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I wish I could fill every young man who reads these pages with an utter dread and horror of poverty. I wish I could make you so feel its shame, its constraint, its bitterness that you would make vows against it.
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It's important that people come see our show, because we are performers. We wanted people to see that.
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The law of the Creator, which invests every human being with an inalienable title to freedom, cannot be repealed by any interior law which asserts that man is property.
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I have always loved animals since I was very young.
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Nobody can be like Mr. Bachchan.
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I love funky styles. Not preppy or rock, just funky!
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Material interests are not the only guiding light.
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It is not only the living who are killed in war.
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I live in New Hampshire. We're in favor of global warming. Eleven hundred more feet of sea-level rises? I've got beachfront property. You tell us up there, 'By the end of the century, New York City could be underwater,' and we say, 'Your point is?'
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I haven't thought about getting into production. I'm interested in the creative aspect of storytelling.
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Our country's national crime is lynching. It is not the creature of an hour, the sudden outburst of uncontrolled fury, or the unspeakable brutality of an insane mob.
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Certainly, I don't think I can ever be accused of being soft on crime.
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Historic changes and challenges. Breakthroughs in human knowledge and opportunity. And yet, for vast numbers across the globe, the daily realities have not altered.
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I'm not an autobiographical writer, but I am a writer who deals with human emotion on all levels.
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In the first week of release, 'Beasts Of No Nation' was the most watched movie on Netflix, in every country we operate in.
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'Pears like I prayed all the time, 'bout my work, everywhere, I prayed an' groaned to the Lord.
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My husband has quite simply been my strength and stay all these years, and I owe him a debt greater than he would ever claim.
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I used to work as a proofreader at Merrill Lynch.
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I have kissed in almost all the films except in 'Once Upon A Time In Mumbaai.' I'm not sure if my kissing on screen has anything to do with the success of a film, but producers make sure to put a kissing scene or two. They feel my kissing scenes are my lucky streak.
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We knew we wanted to have our own tone for the show. And then the big instrument that actually we came up with was the cello. It has a big range. It can play really low. It can play high. And it has a dark sound, and 'Game Of Thrones' is obviously - it's a dark show, and the cello became the featured instrument.
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All the ideals and beliefs you ever had have crashed about your gun-deafened ears - you don't believe in God or them or the infallibility of England or anything but bloody war and wounds and foul smells and smutty stories and smoke and bombs and lice and filth and noise, noise, noise - you live in a world of cold sick fear, a dirty world of darkness and despair - you want to crawl ignominiously home away from these painful writhing things that once were men, these shattered, tortured faces that dumbly demand what it's all about in Christ's name.
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You really have to be careful with the clues you lay into the film - if they're too heavy-handed, or you've pandered to a slightly stupider audience, then you've spoiled it for the people who are even slightly smart.
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Stock exchanges say that more than half of all trades are now executed by just a handful of high-frequency traders, who use rapid-fire computers to essentially force slower investors to give up profits, then disappear before anyone knows what happened.
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Everything changes permantly. How boring if it wouldn't.
