Sakshi Tanwar Quotes
I haven't thought about getting into production. I'm interested in the creative aspect of storytelling.
Quotes to Explore
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I think the older I get the more creative I get, I don't have the distractions that I had when I was younger.
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I got to the big leagues when I was 20. I thought I had it all figured out. Went to spring training that next year and started off well, got sent down, and I pouted pretty much all of 2000. And it wasn't the right way to handle it.
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Before I became a chief minister, I never thought that one day I'd be the chief minister.
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I gave up painting by 16. I secretly thought I would have been Rembrandt by then.
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Because of where I come from, I never thought I'd see in my life a black candidate running for President.
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I was drawn to things I thought were either sexy or aggressive - or both.
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When Chipotle asked me to take part in the Cultivating Thought program both as an author and an essay contest judge, I was excited by the idea of sharing my story through this unique channel and helping young, inspiring writers do the same.
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Scientists didn't discover the noble gas helium - the second most common element in the universe - on Earth until 1895. And they thought it existed in minute quantities only, until miners found a huge underground cache in Kansas in 1903.
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So I didn't have anything to do with picking the songs, but I got to musically take them in places I thought might be interesting, so it was a real neat collaboration among the three of us.
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People thought we were a joke because we got noticed so fast.
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What Alexander Graham Bell thought up occupied less space than a flower vase. Now it's so small that I have to search all my pockets to discover I've received a spam text.
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I auditioned for this agency. I got an advertisement first, and then something else, which I got fired from. It was soul-destroying. And then the next thing I got, I thought was going to be my big break, and they cut the role. It was only the year that I started auditioning for 'Star Wars' when I really started getting roles.
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When I did 'The Social Network', David Fincher told me that I managed to make a thankless character pretty awesome. I thought that was really cool because I think he's really cool.
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While teaching a course on global development at Uppsala University in Sweden, I realized our students didn't have a fact-based worldview. They talked about 'we' and 'them.' They thought there were two groups of countries: the Western world, with small families and long lives, and the Third World, with large families and short lives.
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Every child is a thought in the mind of God, and our task is to recognize this thought and help it toward completion.
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I came from two harsh dictatorships, Nazi and Stalinist. I never thought of becoming a writer as such, yet in a lucid moment, I recognised what I had to do.
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I was trying to be someone for the first part of high school. I was kind of this nerdy kid who didn't want to be a nerd anymore. Even talking about it, I'm embarrassed. I'm like, 'Ugh, why did you care what people thought?'
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My wife thought I deserved it, but I always thought the Nobel a Western prize.
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Who would have ever thought that, within a couple months of getting into the WWE, that I'd be wrestling in the main event for the world championship? Then, nine months after getting here, actually being the world champion.
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I may have had a prejudice against agnosticism as a body of thought: sort of a fence-sitting theory, where you can't make up your mind one way or another.
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Throughout the history of Iceland, men have been lost at sea; every family in Iceland is connected to that kind of story.
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I don't do something because I think it will sell 30 million albums. I couldn't care less. If it sells one, it sells one.
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Women have a way of contorting things sometimes. We all have our moods, ups and downs. Or if the guy doesn't say anything when you walk out with a new top and the guy has no idea why you're mad at him. So of course, women are complicated.
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I haven't thought about getting into production. I'm interested in the creative aspect of storytelling.
