Dave Pelzer Quotes
Quotes to Explore
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Alan Rickman's Hans Gruber is the greatest bad guy in a movie ever.
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Everything was magnificent so far, even if I knew my part of dramas.
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Instead of building walls, we should be building bridges.
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Our entire film fraternity should be proud of 'Baahubali.' These are the kind of films that are not made very often.
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Skating is tough to pick up when you are a grown up.
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You need a big ego to be an artist.
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Most practical jokes, I'll feel too bad for the other person so I'll stop just before the punchline.
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Myth is a powerful medium because it talks to the emotions and not the head. It moves us into an area of mystery.
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In all three cases, and for most human beings, the problem of suffering poses no difficult problem at all: one has a world picture in which suffering has its place, a world picture that takes suffering into account.
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I never responded to teaching.
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Globalization is exposing new fault lines - between urban and rural communities, for example.
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I don't think I'm a good dancer.
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My opinion on who's wrong or who's right has nothing to do with the fact that we have to bring together people who are against each other, to transform antagonism into cooperation.
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I've studied a technique called the Sanford Miesner technique, that teaches you how to focus. It's mainly about daydreaming. And the technique's really about imaginary circumstances. Using your imagination to sort of daydream about stuff. It makes you emotional in a scene.
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Everyone will someday be judged for what they do, and Jah is the only judge.
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Each pineapple plant produces only one fruit per year. It can take up to two years for the pineapple to ripen, and it's important to wait, because once it's picked, it can't ripen any further. The unripe pineapple is not only horrible tasting but poisonous.
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If a director brings a guy to their movie who does improv, they've got to let him do what he does - otherwise it's like bringing Michael Jordan to your basketball team and telling him to just pass the ball and don't shoot.
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The best of causes ruins as quickly as the worst; and the road to Limbo is paved with writers who have done everything-I am being sympathetic, not satiric-for the very best reasons.
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This notion of changing technology interests me. I work on a computer now, and it's not been easy to adjust. I still prefer to have my hands on film when I'm editing.
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The only thing that I know is that if I like a particular script, I want to be as honest to my character as possible. That's the only thing I can control. I have made a lot of decisions on an impulse, and I am going to continue that.
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I can hardly eat meat because it has to look like something what it was not when it was alive.
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How do I let the director know how obsessed I am and willing to do anything for the movie? Like, I wanted to write this one director a letter, so I wrote him a handwritten note. But then I was like, 'How many people are writing this guy handwritten letters? Is it going to seem cheesy? What do I do?'
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I tend to like songs that are very emotional, that strike a chord with me emotionally.
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I buy thousands of books a year.
