Mark Kurlansky Quotes
Quotes to Explore
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I'm thinking of doing more theatre. It makes me very happy.
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The last time I had to make a career decision, I was 17. I could have gone to Ballet Theatre or National Ballet of Canada. There were options. But as I became exposed to the Robbins repertoire, I realized that there was a living genius in the house.
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My mum was no pushy parent. She would drop me off for auditions when I was in my teens at the Lyric Theatre, then give me my bus fare and say she would see me later at home. She wasn't hanging around in the wings geeing me on. I had to do it on my own; it was up to me.
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There's such a sense of theatre in getting glammed up; it's like putting on a play or short film.
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My mother's side of the family was in the production side of theatre. My grandfather, Jose Vega, was a general manager for Neil Simon shows on Broadway.
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It's easier to go from theatre to film than the other way round. In film you're absolutely loved and cossetted and cared for. In film your director makes your performance. In theatre you're carrying it all.
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I loved living and breathing theatre so much that I decided I had to find a way to bring my desire to act and my ability to support myself together. I'd run through the possibilities in Washington, so that meant moving to New York.
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I started in theatre. I went to the Boston Conservatory and majored in musical theater.
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I have never been a material girl. My father always told me never to love anything that cannot love you back.
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There wasn't anyone in my family who was involved in the theatre. I saw a few amateur plays when I was growing up, but I can't think of anything that happened or anybody in particular who inspired me; it all came from within.
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I grew up in a very small town and didn't realise till later that I had an adventurous side. When I went to theatre school at 18, I came into my own and let loose.
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There's a tradition in British intellectual life of mocking any non-political force that gets involved in politics, especially within the sphere of the arts and the theatre.
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I like the ephemeral thing about theatre, every performance is like a ghost - it's there and then it's gone.
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I went to Paris for a year in 1986 to study theatre; there was a lot of clowning around, buffoonery and fencing. It was then that my own style kind of blossomed.
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My son Gautham usually doesn't watch my films. But he watched 'Srimanthudu' in the theatre.
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We're certainly interested in maximizing our return and doing it - we're interested in maximizing our return, but we're also interested in doing it over a long period of time and in doing it in a way that never endangers the firm from a survivability standpoint.
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My advice to young actors is probably to do some theatre; definitely do that. I keep running into these actors who have never been on stage, and it's invaluable for an actor. What you will learn about yourself is huge.
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I'd rather do theatre and British films than move to L.A. in hopes of getting small roles in American films.
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Whatever I do, I just want it to be good.
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It's good to establish moves that fans are always going to recognize and scream for.
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I never lie in interviews.
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When I was a boy, I used to pull a big cross saw with my dad. He'd use his right hand, so I'd have to use my left.
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I can't worry about the consequences of what I do; that's not my job.
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I was a theatre major and started off as a playwright.
