Dave Sitek Quotes
I'm not a big equipment guy; I think that people are a little bit shocked by that. I really don't care about gear in general. I care about people and their intentions to make music - it doesn't matter what equipment you have.
Quotes to Explore
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I know theater can improve the quality of people's lives, and I know theater can heal. I've worked as a doctor clown in a hospital for two years. I have seen sick kids and sad parents and doctors be lifted and transported in moments of pure joy. I know theater unites us.
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And after I compose my programs, but it is very easy because I look to the music in a very natural way without fuss, and so I look always music, in my home, like books and books and books, choose books and you read the pages, so I do this with music, and I make programs.
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I worked as a head cook at courthouses and high schools. I left it behind when I started getting into my music real heavy.
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I have to say that movies have as much impact on me as music. And that I learned as much about narrative from movies as I did from reading novels, how to arrange stories, how to juxtapose things.
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People watch me, waiting for me to slip up, so my privacy has gone - but that's a price you pay.
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If we're going to go really deep, we're all trying to live forever. My music is my way of doing that.
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I hadn't seen that many movies that really go deep enough into the fears of playing music or the language that musicians can use to treat each other or, like, the way that you can see it dehumanize and the way that it can feel like boot camp.
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People really do not have time to read all the newspapers in the world and all the sites that we now commonly use on the web. There is no possibility of keeping up.
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Me, it was always about being able to bounce around to where I wanna be. Like, with 'Arular,' people always say it's so political, but I think 50 per cent of the album is not very political at all. It's just really a shouty, shouty girl thing.
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The opera is to music what a bawdy house is to a cathedral.
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I lost myself in the bubble of music - driving myself to be a success.
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Despite a certain amount of rhetoric, such as 'the second American Revolution,' there is a fair consensus about which events in the affairs of a people can rightly be called revolutions. It is also clear that such revolutions are proper objects of study for the historian.
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I was the one who was always calling people.
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A lot of people seem to feel that joy is only the most intense version of pleasure, arrived at by the same road - you simply have to go a little further down the track. That has not been my experience.
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People give us credit only for what we ourselves believe.
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All of us have a bit of a sociopath inside of us, and it's wrong to think that somebody is just clearly sociopathic, because they're not. It's interesting to explore the shadings and nuances within a person. Those feelings exist within more human beings than people may want to acknowledge.
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A composition is always more than the sum of its parts. In other words, a really good piece of music is more than itself. It's sort of like a prism, which you can see from each facet a single totality.
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If you had to sum up chemistry in one sentence, it might be this: Atoms need to have full shells of electrons to feel satisfied, and different elements steal, shed, or borrow different numbers of electrons to achieve a full shell.
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A win would be better than a draw.
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I always wanted to be on the radio. But my background is more entertainment than journalism.
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I think substitution is a huge part of acting, but I don't personalise my work that much.
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When it comes to turning out movies, I'm for Hollywood.
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I'm not a big equipment guy; I think that people are a little bit shocked by that. I really don't care about gear in general. I care about people and their intentions to make music - it doesn't matter what equipment you have.
