David Ayer Quotes
Actors are like magicians. They'll sit there and do all their tricks to each other. It's very competitive, and the goal is to get them bonding, to get them to know the real person as quickly as possible.
Quotes to Explore
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If a man begins writing at thirty, by the time he is fifty or sixty, the bulk of his work has been done. By the time he is eighty, he's got nothing more, you know?
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I'm not an American, but I have this weird connection to America in different ways through my dad living here for five years, my godfather being an American who I'm very close to.
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When you can score three goals without the most prolific scorer in the world, you know you have a lot of depth, and it gives you confidence.
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The most striking development of the great depression of 1929 is a profound skepticism of the future of contemporary society among large sections of the American people.
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To die for an idea; it is unquestionably noble. But how much nobler it would be if men died for ideas that were true!
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I have been afraid of guns, I have sworn I would never use a gun on another person and so did not need one, and I have wanted to deny the existence of evil.
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We read Robert Browning's poetry. Here we needed no guidance from the professor: the poems themselves were enough.
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I've had a dozen novels published and have made far more than a dozen mistakes. Which is why Randy Susan Meyers and I wrote a guidebook to help authors avoid making our mistakes.
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I'm a stand-up. I'm never worried about getting my next role. That's never distressing to me.
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I love iTunes as much as anybody. It's very convenient and very easy. But there is nothing like the vibe that you get when you walk into a record store. And I think a lot of people are still thrilled to spend a half hour there and go through the bins and make some purchases.
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I'd visit the near future, close enough that someone might want to talk to Larry Niven and can figure out the language; distant enough to get me decent medical techniques and a ticket to the Moon.
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No man underestimates the wrongs he suffers; many take them more seriously than is right.
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Athol Fugard became famous as a playwright, so although 'Tsotsi' the book was written in the '60s, it was only published in the '80s. It was then optioned pretty much every year by producers. I think the problem was that holding onto its period setting made it very hard to get finance.
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Brain science will be the most popular science of the early twenty-first century.
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The cool thing about working and meeting a lot of people through your acting is that you never know who you might work with, in the future.
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Many people are insecure of many people.
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Some Libertarians argue that Western occupation fans the flames of radical Islam; I agree. But I don't agree that, absent Western occupation, that radical Islam 'goes quietly into that good night.'
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Dad was a pure entrepreneur. The dinner conversations weren't like, 'Did the Yankees win today?'
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I have always believed that I should have had no difficulty in causing my rights to be respected.
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We end up producing the opposite of what we intended, and turn our children into unpopular, isolated adults.
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I really felt that 'Three's Company' was a gift. When it ended, I had money in the bank and had the luxury to pursue a life that meant something, to learn and discover.
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When I first found out that Superman wasn't real, I was about maybe eight. And I was talking to my mother about it. And she was like, 'No, no, no. There's no Superman.' And I started crying. I really thought he was coming to rescue us. The chaos, the violence, the danger. No hero was coming.
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Actors are like magicians. They'll sit there and do all their tricks to each other. It's very competitive, and the goal is to get them bonding, to get them to know the real person as quickly as possible.
