Yves Behar Quotes
Quotes to Explore
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The reality is we talk a lot about it, but we really don't give everyone an opportunity to buy into it, and this combines both the best of Republican and Democratic ideals.
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To read without reflecting is like eating without digesting.
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I am a raging alcoholic and a raging addict and I didn't want to see my kids do the same thing.
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One of the most important tools we have at the Small Business Administration (SBA) to reach high growth entrepreneurs is the Small Business Investment Company (SBIC) program.
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I learn something not because I have to, but because I really want to. That's the same view I have for performing. I'm performing because I really want to, not because I have to bring bread back home.
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I believe however that peace is attainable regardless of the Arabs mentality, society or government.
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Men honor what lies within the sphere of their knowledge, but do not realize how dependent they are on what lies beyond it.
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I like children; I like 'em, and I respect 'em. Pretty much all the honest truth-telling there is in the world is done by them.
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I could do a franchise for the end of everything. 'The End of Dogs,' 'The End of Cats.'
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It's like having astronomy without knowing where the stars are.
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I like my feet. I have a tattoo on my foot with my last name. They're dancer feet. They're pretty. My toes are proportioned nicely. And they're strong - I can pinch people with my toes.
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I grew up really poor and have always been the type of person who will work earlier or work harder or more than the other person to even the playing field.
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All of his saves have come in relief appearances.
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Just making the crowd laugh is not really doing things for me anymore. That's just knowing how to kill; I've learned how to kill – but also learned when a crowd's laughter is meaningful.
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But I think the thing I'm proud of about the film is that there aren't many films - either independent films or mainstream Hollywood films - that are like this; it's of its own times, and it's the film Mike Nichols wanted to make.
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It's not my job to get really personal in how I express myself. I've met fans, and they've been lovely. But letting my personal life out there, I don't think is a good idea for me. I think the more you do that, the more you can be accused of encouraging that kind of attention.
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Let me think about the people who I care about the most, and how when they fail or disappoint me... I still love them, I still give them chances, and I still see the best in them. Let me extend that generosity to myself.
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In the '70s, my playing was completely untutored, but it sounded good to me, and I tried to find ways to make those very simple things work in more ambitious contexts.
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Slavery, racism, sexism, and other forms of bigotry, subordination, and human rights abuse transform and adapt with the times.
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A dead end street is a good place to turn around.
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My parents are both musicians and made sure we all played music. My brothers and sisters all play instruments, so we'll get together whenever we can and play. We play a lot of classical music - you know, the good stuff.
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With the Larry Bertlemann portrait, I started with a photograph that I could use for it. I built the drawing's identity to serve as a graphic identity. After a number of sketches, I went into my own abstract vernacular of drawn lines and shapes to create the composition for the poster design.
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My mantra is: 'Good design accelerates the adoption of new ideas.'