Bill Fagerbakke Quotes
Quotes to Explore
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There are no benefactors in Canada because there is no incentive.
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I've never been a partier.
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I love Bridget Fonda.
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I feel like I became an artist by default. I went to art college, but my interest was always more towards film than painting or sculpture.
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When I'm on stage, it's like a different world ... me connecting with the audience. It's a surreal experience.
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What people don't appreciate, when they picture Terminator-style automatons striding triumphantly across a mountain of human skulls, is how hard it is to keep your footing on something as unstable as a mountain of human skulls. Most humans probably couldn't manage it, and they've had a lifetime of practice at walking without falling over.
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I've always said that I benefit, as an actor, from not having the illusion of security.
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I would like to be a polyglot.
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If a film project were available and the timing was right, I might be interested.
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Has anybody ever seen a dramatic critic in the daytime? Of course not. They come out after dark, up to no good.
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In the past Berlin was much more radical and extreme and now it's becoming much more of a conventional European city.
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Diet and supplements and exercise programs aren't what is achieving longevity. Having a faith-based community can add four to 14 years.
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In school I was pretty quiet. Kinda shy until my junior year. But at home I was a freak.
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Living is no laughing matter: you must live with great seriousness like a squirrel for example - I mean without looking for something beyond and above living, I mean living must be your whole occupation.
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Thank God I never lost that childlike innocence and the purity of vision and naivete. …That childlike innocence was most useful, because if I was a bit wiser, I wouldn't have been able to do anything, perhaps. So I'm glad I was not smart.
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In this meditation we do not concentrate or control the mind. We let the mind follow its natural instinct toward greater happiness, and it goes within and it gains bliss consciousness in the being.
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What haunts me is not exactly the absence of literal space so much as a deep craving for metaphorical space: release, escape, some kind of open-ended freedom.
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I have a terrible sense of direction.
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I think a part of being successful or trying to be successful is staying true to who you are. Be genuine.
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People talk about Japanese kids as being inward-looking. But my experience is that if you offer them an opportunity, they'll take it.
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I feel glamour has a legit place on the ramp and in the fashion world. In films, glamour has to service the story.
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Man should be ever better than he seems.
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It took me a few years to realize I might want to get into acting as a profession.
