Bill Griffith Quotes
Everyone says how Calvin and Hobbes is about a real kid, to me there's nothing real about it; it's an adult using a kid's body as a mouthpiece.

Quotes to Explore
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I started as an actor. I started directing because Steppenwolf needed another strong director.
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Eventually, I grew out of my interest in motorcycles because they're quite dangerous. I don't ride them anymore. But I have this history.
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We make assumptions: nurses should be nice, teachers should be good. But everyone has a dark side, some darker than others.
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Playing music is a beautiful thing. But listening to music is just as great.
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The biggest rival I had in my career was me. I couldn't control Arnold Palmer, Gary Player, Tom Watson or Lee Trevino. The only person I could control was me.
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In the world of language, or in other words in the world of art and liberal education, religion necessarily appears as mythology or as Bible.
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I don't really yell at people.
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Man is the only animal that laughs and has a state legislature.
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I'm not the girl next door.
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I don't make resolutions, because resolutions seem so ephemeral and transient to go away.
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I keep pushing buttons and trying to grow as a person and as a filmmaker.
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If you're writing a scene for a character with whom you disagree in every way, you still need to show how that character is absolutely justified in his or her own mind, or the scene will come across as being about the author's views rather than about the character's.
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I played Miley Cyrus' grandma on 'Hannah Montana,' and the first time I was on, they said, 'We love having veterans like you on because she's like a little sponge, and she's really appreciative of all the veterans that are coming on the show, and we just love that you're teaching her.'
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I stand on my public record as a defender of the human rights of Muslims, notably my work for Moazzam Begg and other British Muslims detained without trial in Guantanamo Bay.
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There is one type of ideal woman very seldom described in poetry - the old maid, the woman whom sorrow or misfortune prevents from fulfilling her natural destiny.
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If you think about people's lives, you think about what's significant. And the things I find significant in my life are not the moments when people are yelling at each other. They're the moments when someone says something that is very poignant, but oftentimes not loud.
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We're just a real dirty band. We're raw, and we're rough. None of us are top-scale, top-line musicians. But I tell you what, you get your top-line musicians and see if they can entertain like us.
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I don't really get stuck in a time warp where, if my film is a success, I have to keep partying till the next one releases, or if my film is a flop, I keep wallowing in sorrow until the next comes my way. My hard work in each film is always there.
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My credentials, briefly: I no longer go to church or believe in God, but I can still name every one of the fruits of the Spirit and reeled for days upon hearing the announcement that Audio Adrenaline was reunited with one of the singers from DC Talk.
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People think that I'm very serious.
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I have a collection of impractical vintage dresses and jackets. I guess I never grew out of the 'playing dress up' faze. It's actually a bit of a problem.
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When writing sex scenes, there is often no pleasing anyone, except perhaps the writer herself.
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When you see me on TV, that's about as close to my real personality as you can get.
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Everyone says how Calvin and Hobbes is about a real kid, to me there's nothing real about it; it's an adult using a kid's body as a mouthpiece.