Koichi Tanaka Quotes
The tenacious character I've possessed since I was a small child propelled me to successfully meet this challenge, and I was able to safely gain acceptance to the university of my choice.
Quotes to Explore
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For me, I'm always looking for the opportunity for a character that challenges me and lets me play two for the price of one.
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To be honest, I think for part of my late teens my character didn't really develop very much. I was in a state of cold storage.
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I've made up little mantras for myself, catchphrases from a screenwriting book that doesn't exist. One is 'Write the movie you'd pay to go see.' Another is 'Never let a character tell me something that the camera can show me.'
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I don't see that many movies lately that are actually about something, that are trying to challenge something about the way that people interact.
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One of the strangest experiences one can have is to sleep on stage, as I once did in Sydney when I'd lost the key to my flat. I had to stay at night in a bed, which conveniently was on stage because my character Sandy Stone did his monologue from a bed. To wake up looking at a shadowy auditorium is a very peculiar feeling.
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I knew a ton of actors and was friends with them, but I never dated actresses. I tried to date 'normal' people because the Hollywood dating rule is 'one star per couple' because it's quite a challenge to match the egos of two actors.
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I'd like to do something where there's a strong female character and some action. I've done a few stunts in the past.
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When I did 'The Social Network', David Fincher told me that I managed to make a thankless character pretty awesome. I thought that was really cool because I think he's really cool.
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I'm a rational person, and I'm not a method actor. You don't need to call me by my character's name while I'm not shooting.
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Oftentimes, in fact I think this is to my fault, I look at usually scripts as a whole. I should probably pay more attention to the character that I'm going to play and what they do.
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Since I was from the theater, that's how I learned how to go through the process of being a character. That's how I learned, and that's what I was comfortable doing. And then, the first feature films, I'm sure I was no fun because I did not want to be spontaneous in that filmic way that really can work for you.
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I never write my stories as a wake-up call as such. I simply explore the kinds of situations that I find personally challenging by placing characters into situations that challenge them in similar ways.
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'Planet Earth' was such an extraordinary series and the 'Making Of'... is fascinating: the creatures and stories behind the camera are just as fascinating as those in front. It's a bit of a dream come true to be a part of the team in some small way.
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I try to think what the character is thinking. Then, hopefully, I begin to feel it. I act and react not because I'm recalling a dog killed by a fire engine, but because I'm concentrating on what the character is going through.
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When I diced vegetables, it was painstaking work to make sure that every single piece looked the same: 1/4-inch cubed for small, 3/4-inch cubed for large. It's a matter of practice and precision.
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Even the government understands that the environmental challenge is so big that no single agency can handle it. It needs collaboration among all the stakeholders - companies, governments, NGOs and the public. Public accountability will be the ultimate driving force.
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Self-acceptance has been a blessed by-product of middle age.
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I'm a writer who simply can't know what I'm writing about until the writing lets me discover it. In a sense, my writing process embraces the gapped nature of my memory process, leaping across spaces that represent all I've lost and establishing fresh patterns within all that remains.
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I love a lot of these older actresses, like Cicely Tyson, who played Kunta Kinte's mother in 'Roots.' She was really great, and I like seeing her because every movie she plays, she plays a strong character. As a kid, she was really inspiring to me.
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I think it's much more natural as a writer to want to tell one story rather than lots of small stories that are half an hour long.
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I thought, 'O.K., if I'm a valuable person and an independent entity, then I don't have to worry about what people think of me. I can reach out now.'
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I do have a Mexican accent, but that doesn't mean that I'm a Latin vamp.
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The only place that work and motion are the same thing is the zoo where people pay to see the animals move around
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The tenacious character I've possessed since I was a small child propelled me to successfully meet this challenge, and I was able to safely gain acceptance to the university of my choice.
