Barry Humphries Quotes
One of the strangest experiences one can have is to sleep on stage, as I once did in Sydney when I'd lost the key to my flat. I had to stay at night in a bed, which conveniently was on stage because my character Sandy Stone did his monologue from a bed. To wake up looking at a shadowy auditorium is a very peculiar feeling.
Quotes to Explore
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My second-grade teacher went around the class and asked everybody what they were going to be when they grew up. I said, 'I want to travel the world,' and he said, 'You'll be married and pregnant by 21, just like all the girls in this room.'
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I did not grow up a cinefile. No one in my family was in the film business or even anything close to it.
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I think that a lot of guys reach for electronics first, but the truth is that you can never keep up with electronics. You buy a flat-screen TV, and then six months later, there's one that has 3D and Blu-ray and all this business, and that is just going to keep continuing.
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Whatever your image is, it's probably not you, but it affords you the freedom to live up to it.
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This basic thing I always do: 'What happened between the character's birth, and page one of the script?' Anything that's not in the story, I'll fill in the blanks.
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What is extraordinary about the character of Edna - and I speak as though I am completely outside this character and I am talking to you - I'm, as it were, in the wings, and she's on stage, and every now and then she says something extremely funny, and I stand there and think: 'I wish I'd thought of that.'
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A lot of my creative energy is spent coming up with a concept that, once I get it, I feel like it writes itself.
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The perfect day for me is waking up and having a cup of tea with my kids before I drive them to school; Then, I go into the studio and try and write some music for three or four hours and give up about noon.
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I've been dancing since the age of two. I don't really remember it, because I was little, but my mom signed me up and would put me in cute costumes. A lot of little girls get into dancing, but I loved it so much that I kept doing it.
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I enjoy a character who sticks to her guns, who's always challenging herself. That's something I can relate to.
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If you don't stick up for what's yours, and defend what's yours... what are you?
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In L.A., it's easy to get wrapped up in this young Hollywood mess. You feel like you have to go out every night. You have to realize that you're here to work. I didn't move out here to party all the time.
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My first taste memory is pickle. Even as a kid, I was really weird. I liked chillis. I used to climb up the shelves in my grandmother's pantry. The pickle jar was kept right at the top. One time, I dropped the jar and it broke. I was totally busted.
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My first encounter with Marx's writings came very early in life, as a result of the strange times I grew up in, with Greece exiting the nightmare of the neofascist dictatorship of 1967-74.
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I'm very much over my hair. If it was up to me I'd have cut it a long time ago.
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I don't feel like I have to dress up to go to the deli.
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I'm proud that Della was sort of a prototype for TV secretaries. There really was no such established character on TV when 'Perry Mason' came along.
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People look at me, and they go, 'You're white, you're smart, you must have went to college. You must have grown up with money.'
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I had no experience with broadcasting basketball games, so I took a tape recorder and went to a playground where there was a summer league, and I stood up in the top of the stands and I called the game.
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Texas is so wrapped up in myth and legend, it's hard to know what the state and its people are really about. Real Texans, raised on these myths and legends, sometimes become legends themselves.
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Freedom is the thing that has attracted me most to jazz. Within improvisation, you're really able to express something that maybe I'm not so adept at expressing via language. So I develop a language through the instrument to tell stories. So it's kind of this freedom of thought and freedom of expression that kind happens.
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The groupies are far more real now than there were then.
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For glory gives herself only to those who have always dreamed of her.
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One of the strangest experiences one can have is to sleep on stage, as I once did in Sydney when I'd lost the key to my flat. I had to stay at night in a bed, which conveniently was on stage because my character Sandy Stone did his monologue from a bed. To wake up looking at a shadowy auditorium is a very peculiar feeling.
