Barry Humphries Quotes
One of the strangest experiences one can have is to sleep on stage, as I once did in Sydney when I'd lost the key to my flat. I had to stay at night in a bed, which conveniently was on stage because my character Sandy Stone did his monologue from a bed. To wake up looking at a shadowy auditorium is a very peculiar feeling.
Quotes to Explore
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My second-grade teacher went around the class and asked everybody what they were going to be when they grew up. I said, 'I want to travel the world,' and he said, 'You'll be married and pregnant by 21, just like all the girls in this room.'
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I did not grow up a cinefile. No one in my family was in the film business or even anything close to it.
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I think that a lot of guys reach for electronics first, but the truth is that you can never keep up with electronics. You buy a flat-screen TV, and then six months later, there's one that has 3D and Blu-ray and all this business, and that is just going to keep continuing.
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Whatever your image is, it's probably not you, but it affords you the freedom to live up to it.
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This basic thing I always do: 'What happened between the character's birth, and page one of the script?' Anything that's not in the story, I'll fill in the blanks.
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What is extraordinary about the character of Edna - and I speak as though I am completely outside this character and I am talking to you - I'm, as it were, in the wings, and she's on stage, and every now and then she says something extremely funny, and I stand there and think: 'I wish I'd thought of that.'
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A lot of my creative energy is spent coming up with a concept that, once I get it, I feel like it writes itself.
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The perfect day for me is waking up and having a cup of tea with my kids before I drive them to school; Then, I go into the studio and try and write some music for three or four hours and give up about noon.
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I've been dancing since the age of two. I don't really remember it, because I was little, but my mom signed me up and would put me in cute costumes. A lot of little girls get into dancing, but I loved it so much that I kept doing it.
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I enjoy a character who sticks to her guns, who's always challenging herself. That's something I can relate to.
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If you don't stick up for what's yours, and defend what's yours... what are you?
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In L.A., it's easy to get wrapped up in this young Hollywood mess. You feel like you have to go out every night. You have to realize that you're here to work. I didn't move out here to party all the time.
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My first taste memory is pickle. Even as a kid, I was really weird. I liked chillis. I used to climb up the shelves in my grandmother's pantry. The pickle jar was kept right at the top. One time, I dropped the jar and it broke. I was totally busted.
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My first encounter with Marx's writings came very early in life, as a result of the strange times I grew up in, with Greece exiting the nightmare of the neofascist dictatorship of 1967-74.
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I'm very much over my hair. If it was up to me I'd have cut it a long time ago.
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I don't feel like I have to dress up to go to the deli.
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I'm proud that Della was sort of a prototype for TV secretaries. There really was no such established character on TV when 'Perry Mason' came along.
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People look at me, and they go, 'You're white, you're smart, you must have went to college. You must have grown up with money.'
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You can't get any movement larger than five people without including at least one fucking idiot.
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I'm a bad artist. I'm lazy and untalented and bad.
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When you work towards your goals, you become healthier and healthier, mentally. It is very hard to do with a negative attitude. You just need to become more and more positive. And then you start to succeed. And starting to succeed is like winning a race and having the audience cheer. That makes you feel happy and motivates you to work even harder and achieve even more.
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I learned that there are two things that kids really like: movement and love. Happy kids move; unhappy, they don't move.
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Sometimes it's better to forgive and forget. And sometimes, on the other hand, it's better to leave the friendship.
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One of the strangest experiences one can have is to sleep on stage, as I once did in Sydney when I'd lost the key to my flat. I had to stay at night in a bed, which conveniently was on stage because my character Sandy Stone did his monologue from a bed. To wake up looking at a shadowy auditorium is a very peculiar feeling.
