David Cronenberg Quotes
But when you're writing a script - for me anyway - you have to sort of create an enforced innocence. You have to divest yourself of worrying about a lot of stuff like what movies are hot, what movies are not hot, what the budget of this movie might be.
Quotes to Explore
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Magneto wants to cope with the difficulties thrust upon him by society and by his own nature.
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The gay community is very fickle. And I know because I'm part of it and I see it every day.
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Blackness is a state of mind, and I identify with the black community. Mainly, because I realized, early on, when I walk into a room, people see a black woman, they don't see a white woman. So out of that reason alone, I identify more with the black community.
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Writers should provoke disagreement.
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Stillness of person and steadiness of features are signal marks of good breeding.
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The Japanese version comes with a translation, but that's different from the lyrics, so people could look things up and find a translation of their own if they're interested.
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You have family-owned businesses that have been around for 500 years. You cannot name a corporation that survives intact for even a few decades.
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Many are the names of God and infinite the forms through which He may be approached.
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The guitar for me is a translation device. It's not a goal. And in some ways, jazz isn't a destination for me. For me, jazz is a vehicle that takes you to the true destination - a musical one that describes all kinds of stuff about the human condition and the way music works.
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I actually didn't like Jane Austen. I was more into the Brontes. They were so wild and passionate. I thought there was something a bit tame about Austen.
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Happiness is only attained by the free will agreeing in its freedom to accord with the will of God.
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Folks like me have to feel a little indebted to the communities that they came from. And if they do, I think we'll start to see a little bit more of a geographic integration in the country because people will start to think, 'You know what? I owe that place something, and I should return to it in one form or another.'
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Every time you come out with an album or a song, you want to feel like you're growing a bit in what you are and giving people something that they can feel.
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You know sit with your arm around a little kid and read. It not only teaches them to read but it keeps the family strong.
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It vexes me when they would constrain science by the authority of the Scriptures, and yet do not consider themselves bound to answer reason and experiment.
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I'm concerned about my daughter because she will not believe in Santa Claus. No matter what I say to her, she just doesn't buy it, and she's 2. I refuse to give it up. I say, 'There is a Santa Claus,' and she says, 'Okay, Mommy. In pretend world, right?' She really doesn't believe.
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Silk Road to Ruin has all the analysis and it's structured very well. I rely on my notes more and I use direct quotes. But there's nothing like writing about it right away.
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Having a place out of the city is a shortcut toward the mental reset I need.
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Though my stories aren't autobiographical, I do sometimes use things from my life.
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My own position is so far on the obsessive side of preparation and professionalism that I fear my point of view is not going to be shared by anyone.
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I've consciously tried not to romanticize anything, especially not intelligence work. I've always said that I've been writing a series of episodic, naturalistic novels. The people just happen to be spies, politicians, civil servants.
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It wasn't until I was 23 and got married to a guy who was really bookish that I got completely hooked on reading and writing again. He had so many paperbacks, I didn't have to buy a book for four and a half years.
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But when you're writing a script - for me anyway - you have to sort of create an enforced innocence. You have to divest yourself of worrying about a lot of stuff like what movies are hot, what movies are not hot, what the budget of this movie might be.
