David Droga Quotes
Before we start anything creatively, we have a firm understanding of our objective and our frame of mind for the campaign. Who's our audience, and what's their day-to-day behavior? How can we complement those behaviors? How is our message more than an interruption? Why would people care about what we're saying?
Quotes to Explore
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I had no expectations of white people at all.
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It was such a lovely day I thought it a pity to get up.
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There are roles out there and women out there that are fascinating to me, and there are things in our culture that I see that I want to express. It's my passion to express that.
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Being typecast is the enemy of any actor, so if you can try to do something that flips on the head peoples' ideas of who you are or what you can do, that's my biggest aim.
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I'm a chubby middle-aged white guy with short hair. I think that's it, really. I kind of have a look. Right now, I'm not fat enough to be the fat friend, but I'm not thin enough to be the leading man, so I look like a cop.
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I know what I look like - a weird, sad clown puppet. I'm fine with that.
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I had one girl tell me last night that I'm the greatest thing ever, that she wants to aspire to be me. Just stuff like, 'You're my idol. I love you.' It's awesome. It's what it's all about.
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I have a problem with cleaning. It's my release. I get up at 6 A.M. and clean and hoover and mop everything. Then I feel better.
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I like Disney Channel a lot, and I also like to watch 'Full House.'
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I'm finding myself really angry over spending and the deficit. I'm finding myself really angry over what's happening in the Middle East, the decision to stay in Afghanistan indefinitely. I'm angry about cap and trade. And I've been on record for a long time on the failed war on drugs.
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The L.A Trilogy is a series of three novels starring Ray, a robot detective, and his boss, a computer called Googol. Set in an alternative version of 1960s Los Angeles, each book will be more or less standalone but together will form an overarching story arc with 'Brisk Money' as the origin story.
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One knows less about one's own destiny than about anything else on earth.
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Any beast can cry over the misfortunes of its own child. It takes a mensch to weep for others' children.
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Men create the gods in their own image.
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The problem with some stars is that they lose perspective about correct adult behavior. People laugh at everything they say and do. Nobody says, 'Chill out, man. That's out of line.'
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I think I have a very good reputation amongst the gay population and among the whole country because I stood up on the issue of gay rights. It is not easy to stand up on that issue when you are single and male in New York City. I did it anyway.
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If there's 'game' in the title, I'm there! Ready to play!
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I am convinced that we are in a terminal process.
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With the Ford Foundation grant all of a sudden instead of being an artist that had made a couple of short films, I became a filmmaker who dabbled in the arts.
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I have always loved aeroplanes and spacecraft and the design element.
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The vanity of existence is revealed in the whole form existence assumes: in the infiniteness of time and space contrasted with the finiteness of the individual in both; in the fleeting present as the sole form in which actuality exists; in the contingency and relativity of all things; in continual becoming without being; in continual desire without satisfaction; in the continual frustration of striving of which life consists. . . Time is that by virtue of which everything becomes nothingness in our hands and loses all real value.
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Journeys become very good metaphors. They always have the character put into circumstances that reveal him. If I had based my characters in New York and had them just sitting and thinking about life, it would be like what contemporary U.S. fiction is about. That is very heavy, literally, for me. It doesn't become mainstream enough because the pages don't turn themselves.
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Before we start anything creatively, we have a firm understanding of our objective and our frame of mind for the campaign. Who's our audience, and what's their day-to-day behavior? How can we complement those behaviors? How is our message more than an interruption? Why would people care about what we're saying?
