David Fincher Quotes
I thought it was so strange because I normally make these pitch-black studies of misanthropes or the occasional movie about serial killers, sowhat could the possibly see in this material for me.
Quotes to Explore
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One of the best animated films I've seen come out of Disney was the Tarzan movie. I wasn't crazy about the story or the design on Tarzan's face, but the traditional animation was spectacular.
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We believe it is comprehensive international sanctions against the white regime that will save us from the slaughter of hundreds of thousands of South Africans, black and white.
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Anyone can wear any color. The question is about finding the right shade. There is a momentary trend to dark colors because when the financials are not that great, people go for black, navy and grey.
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All of my problems are rather complicated - I need an entire novel to deal with them, not a short story or a movie. It's like a personal therapy.
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Ego is one of the biggest weapons that is used to take us down. It's self-destructive. It's a problem on all levels - even regular people can have big ego problems.
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In a completely integrated unit where you'd have white soldiers, particularly from southern states, serving under black noncommissioned officers or officers... I think you would have a problem definitely.
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College was where I got to actually experience the difference between black and white.
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The economic dynamic in Zimbabwe is perversely robust: while ordinary people suffer, black-market dealers and people with foreign bank accounts prosper, making them powerful stakeholders in the perpetuation of devastating economic policies.
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When you work on a movie, especially an independent movie, it's a lot of work to make it! It's not just our job as actors - so many people are working so hard, and even the littlest movie takes a lot of work.
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When I did 'Boyz N The Hood', I never thought how we grew up in South Central was interesting enough for a movie.
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The demand in India is to have a hit, which becomes a promotion for the movie and makes people come to the theater. You have five songs and different promotions based on those. But when I do Western films, the need for originality is greater. Then I become very conscious about the writing.
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I'm comfortably asocial - a hermit in the middle of a large city, a pessimist if I'm not careful, a feminist, a black, a former Baptist, an oil-and-water combination of ambition, laziness, insecurity, certainty and drive.
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When your life is being threatened there's an instinctive urge to fight. You fight for the time you have, for your relationships.
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As a storyteller, when you're writing a movie and when you're directing, you want to keep people entertained. That's the whole point, right? It has to be entertaining.
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That's the joy of making a movie: watching all the elements come together.
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In a typical history book, black Americans are mentioned in the context of slavery or civil rights. There's so much more to the story.
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Even during my youth, I can recall very few black people living on any kind of public assistance. People were working, doing some kind of job that was useful to the community.
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I did a whole lot of work before taking up my first movie. From TV commercials to Telugu films, I learnt a lot from them all.
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The 10 or 20 minutes I was somebody's mother were black magic; there is no adventure I would have traded them for.
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I've got a lot to look forward to. I'm trying to be the best father I can, and that's a pretty important role. Some would say it's more important than stopping pucks.
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Before I accept a job, I always talk to folks about it. 'Why does he kill these 22 people?' If they say, 'What difference does it make?' I know we have nothing more to talk about. A character has to be three-dimensional.
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I waged war against my feelings.
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I thought it was so strange because I normally make these pitch-black studies of misanthropes or the occasional movie about serial killers, sowhat could the possibly see in this material for me.
