David Gest Quotes
Quotes to Explore
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I'm probably not going to develop to a final state as an artist. Like, become better and better, more and more refined. Become 'pure.' I don't think that's going to happen to me, because I don't really see that as something I want to explore.
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I will love the light for it shows me the way, yet I will endure the darkness because it shows me the stars.
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I never got into politics for it to be a career.
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I will always think of myself as that girl that is 22 starting and really excited about everything and wanting to be amazing at everything. I always wanted to be the best stylist. That was it.
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'The Story of Us' is about running into someone I had been in a relationship with at an awards show, and we were seated a few seats away from each other. I just wanted to say to him, 'Is this killing you? Because it's killing me.' But I didn't. Because I couldn't. Because we both had these silent shields up.
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We English are good at forgiving our enemies; it releases us from the obligation of liking our friends.
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Since I was 10 years old, I knew I wanted to sail around the world.
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Casting my fate to the heavens, quite literally, I decided to go wireless. Completely wireless. All wireless, all the time, everywhere.
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I'm not even kind of a lesbian.
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There were no dissidents then in the USSR because they were all killed.
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Most of the time, songs that I write end up being finished in 30 minutes or less.
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When we think about the past, we think, 'It must have been so boring.' It's actually not.
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Anytime you spend 15 or 16 hours a day with someone, five days a week for six months, that's more time than some people spend with their own families, so it does affect the dynamic between the actors.
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I never would have guessed that I would get a job for the way I sound. I would get notes about how I should lose my accent, and part of me thinks, 'How dare you! This is who I am! Millions of people want to sound like me!' But it's sensitive, and I have tried to change it, with little to no success.
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Although I have lived in Manhattan since 1992, for the better part of two decades I have remained in blissful oblivion of all matters sportif.
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Even Karaoke needs higher standards than I can reach, so I have gone great lengths to avoid being bullied into it.
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If I play a cop, it's always a racist cop or a trigger-happy cop or a crooked cop - but by and large I play cowboys, bikers, and convicts.
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To be silent is to be passive.
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I mean, I am still such the-good-girl. I want everybody to like me. I want everybody to be happy.
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It infuriates me that the work of white American writers can be universal and lay claim to classic texts, while black and female authors are ghetto-ized as 'other.'
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Don't tell me what you believe in. I'll observe how you behave and I will make my own determination.
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Nearly everybody gets twitterpated in the springtime. [. . . ] You begin to get weak in the knees. Your head's in a whirl. And then you feel light as a feather, and before you know it, you're walking on air. And then you know what? You're knocked for a loop, and you completely lose your head!
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I was naive enough to think that I could make the difference.
