David Giuntoli Quotes
Quotes to Explore
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The nations of Africa, as is true of every continent of the world, from time to time dispute among themselves. These quarrels must be confined to this continent and quarantined from the contamination of non-African interference.
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When 'Mulholland Dr.' was voted the Best Film of the Decade, that was very meaningful for me. That film opened up incredible doors for me, and I believe that that was the reason I was given opportunities to play all kinds of characters.
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My house looks like it was decorated by a 14-year old with a platinum American Express card.
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When I talk to people in need, they tell me they want to hope; they are eager for opportunity; they are ready for better days. And I can tell you that every time their hopes are disappointed, all nations lose.
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Really, I prefer not to read my early books. Not that I don't like them, but I don't recognize myself anymore, like an old actor watching himself as a young leading man.
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I understand acting and I understand actors. I don't really understand the world of celebrity. That's just bizarre. Those sorts of elements I'm at sea with.
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Leading from behind doesn't work.
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All too often, the pitchmen are selling the notion that if you gain 'control' over your financial destiny - pick your own stocks and execute your own trades - it will be the first step on a short road to riches.
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When you argue with your inferiors, you convince them of only one thing: they are as clever as you.
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We who curate our Twitter feeds and Facebook walls understand that at least part of what we're doing publicly, 'like'-ing what we like, is trying to separate ourselves from the herd.
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I think it's difficult to do fashion for men, because either you become very over-homosexual fashion or very boring fashion. You don't want a boy who looks 15 in a little pair of shorts with some strange art... But to see just a jacket and tie is boring.
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I like making movies that people feel inspired by, a film that they will think about a few days after seeing it, and not entertainment that is completely forgettable the moment you walk out of the theater.
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You have to expect the raps when you have achieved popularity as a writer.
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Every man supposes himself not to be fully understood or appreciated.
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I wanted to write a novel that would make others feel the history: the pain and fear that black people have had to live through in order to endure.
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You don't want to treat any one person as oracular.
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I told CBS, 'My career is going down the toilet, and you're pulling the chain.'
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When my kids were growing up, I wanted their teachers to teach them science, reading, math and history. I also wanted them to care about my kids. But I did not want my children's public school teachers teaching them religion. That was my job as a parent and the job of our church, Sunday school, and youth group.
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As a youngster, I lived in Philly for 12 years, and I would go up to New York to do shows and make money - it was the dream to maybe be able to survive there and live there.
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The first set I remember was 'Ghostbusters.' It was a scene in which the street erupted. I remember even at seven years old thinking, 'Wow, if you direct a movie, you can break the streets of New York.'
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I want people to get inspired by public space - their space. People tend to forget about it because they do the daily thing, but putting up these sculptures breaks the routine.
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I think my mom and dad knew from the very beginning that I was destined to go into public service.
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I did improv classes just like any kid would do soccer or gymnastics or swimming. At one of my showcases, my manager came to my mom and said, 'We would like to represent your daughter.' My mom asked me that night if I would like to actually act, and I said, 'Why not? I'll give it a try!'
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My mom told me to do whatever I wanted to do and don't get too anxious about it.
