David Graeber Quotes
The moment we begin to map the history of money across the last five thousand years of Eurasian history, startling patterns begin to emerge.
Quotes to Explore
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I destroyed a lot of guitars trying to get them to do what I wanted, but I learned something from every guitar I tore apart, and discovered even more things. Things like if the string is not straight from the bridge saddle to the nut, you're going to have friction.
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As kids, we spontaneously sing and dance and tell stories, and along the way, someone comes and says, 'No. You shouldn't be doing that.' And we slowly begin to unlearn our passions. I think you have to hold on to those things.
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The Catholic Church was the church of the colonial fascist regime.
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I'm absolutely a Ron Paul fan.
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As much as I love to shop online, I also love walking the streets on a beautiful day and seeing what finds I can discover in a small shop or vintage store.
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The government would be able to go to court with respect to newspaper articles, broadcast pieces and the like that they thought were bad or harmful or even against the government and try to block them.
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The beauty of a Moroccan riad is undeniable, but even the most die-hard fan may find herself growing a little weary of what can come to feel like a one-size-fits-all aesthetic: tilework, white Berber rugs, woolen tribal throw pillows in reds and ochers, cut-metal lanterns.
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There are a lot of mindless moments in my tunes.
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Anyone who is interested in the psychology of children will have observed that whereas one child will resist temptation or seduction, another will easily yield to it. There are children who will hardly oppose any resistance to the invitation of an unknown person to follow him; others who react in an opposite way in the same circumstances.
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I am a very loyal man and always keep my promises when I commit to something.
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To be a great actor, you really don't need to go to acting school or learn dance classes or work on your body. You have to be intelligent. You have to draw on a lot of emotions that you go through in life that you can tap into once you work on a set.
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Kevin Costner told me that 'True' was his and his wife's song. I'm not sure if that's a good thing because they split up soon after.
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I think awards are good for the movie. They can bring a new audience to the movie. I've always claimed that things like that don't get you work. Work gets you work. That's my blue-collar, protestant work ethic.
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We are quick to stick labels on others - especially those who don't fit in with the norm. 'Harold Fry' is about a broken marriage; 'Perfect' is about a broken person. They are both about finding kindness where you least expect it.
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I had a pretty public divorce. They're not easy - divorces - and it took me a long time to really get through.
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I've had all that you could ask for. The fat lady has sung, and there's a standing ovation.
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I realize that I'm not going to be everybody's cup of tea, and that's okay. I think that's the point of music.
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The great awareness comes slowly, piece by piece. The path of spiritual growth is a path of lifelong learning. The experience of spiritual power is basically a joyful one.
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Being uprooted from your own culture, provided you take with you the way of thinking and being that characterises the more integrated social culture from which you come, is not as disruptive to happiness and well-being as becoming part of a relatively fragmented culture.
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I was told that I was good in my dance movement classes and that I should concentrate on dance because it would enhance my ability to get acting work.
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No, and I never, ever eat in between the meals. I control it well enough and with no pills, and I sleep seven hours a night. I go to bed. I fall asleep, and I wake up seven hours later, and this is the most important.
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I was praised in the U.S. and heavily, brutally criticized in France.
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When my dad passed, there's a lot of sadness right below the surface, and I think there will be until the day I die. So, writing sad songs helps it. And when I sing them, it's pure therapy for me.
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The moment we begin to map the history of money across the last five thousand years of Eurasian history, startling patterns begin to emerge.
