Valerie June Quotes
Even from when I was in grade school or church or wherever, I was always like: we're one, and we should respect each other and grow as one. And respect each other's diversity, of course.
Quotes to Explore
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The nations of Africa, as is true of every continent of the world, from time to time dispute among themselves. These quarrels must be confined to this continent and quarantined from the contamination of non-African interference.
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I'm half Puerto Rican and every Friday we have rice and beans and chicken in my house - so that's like a very Latin staple. It's just so comforting. I look forward to every single Friday because I just can't wait for my rice and beans and chicken.
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The Japanese version comes with a translation, but that's different from the lyrics, so people could look things up and find a translation of their own if they're interested.
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Why would I want a place of my own? Then I would have to things worry about, like doing laundry and having food in the fridge.
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I've been too many places. I'm like the bad penny.
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The idea of going on tour for the rest of my life with old works is not that exciting. As an artist I definitely think the work in future is going to be better than the work in the past, otherwise why do it?
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I wish I could sit back and say, 'Oh, I'm gonna wait for a Merchant-Ivory film to come my way. Or Ivory-Merchant. Whatever it's called. But you just take what's given and then, hopefully, down the road you can be more choosy and only do, say, Wayans brothers movies. That's my goal: to be more Merchant-Ivory-Wayans.
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I just get focused on whatever is in front of me. When I was filming Crossroads, it had all my focus. Now I'm all focused on finishing my recording so I can get that out. It's just day by day.
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Here's what I have at my advantage: I've never been a personality. I've always been a character actor.
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I got beat up up in Texas because my bootlaces were the wrong color.
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Most of my fans, if you were to look on their iPods, you'd see every possible genre of music represented in some capacity.
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Urban America is like a foreign country in a sense.
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I find television, and particularly live television, very romantic: the idea that there is this small group of people, way up high, in a skyscraper in the middle of Manhattan, beaming this signal out into the night.
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Russia can be quite a dangerous place sometimes, but I never think about it.
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Working on 'Girls' opened up a lot of opportunity for me. It's like a dream job. It's a dream.
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I love ensemble work. I love making pieces and building things together.
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I mean, if you have to wake up in the morning to be validated by the editorial page of the New York Times, you got a pretty sorry existence.
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At about 17, I decided I wanted to take kiteboarding seriously and compete, so my agents were like, 'Just keep sending in a few audition tapes anyway, just for good stuff.'
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'Arrival' talks very little about language and how to precisely dissect a foreign language. It's more a film on intuition and communication by intuition, the language of intuition.
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I don't shoot guns. I don't know how to do that. I grew Upstate New York, so I fought with my fists.
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Women fail, very simply, if they have no guidance and friendships in art, if they are not perceived as, or permitted to be, artists, and if they have no institutional access.
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I have been really lucky in my career, with the diversity of it. I get to play really complex people.
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We have a legal system, and we have a penal code. We have the death penalty in Saudi Arabia, and people should respect this.
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Even from when I was in grade school or church or wherever, I was always like: we're one, and we should respect each other and grow as one. And respect each other's diversity, of course.
