Valerie June Quotes
Even from when I was in grade school or church or wherever, I was always like: we're one, and we should respect each other and grow as one. And respect each other's diversity, of course.
Quotes to Explore
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The nations of Africa, as is true of every continent of the world, from time to time dispute among themselves. These quarrels must be confined to this continent and quarantined from the contamination of non-African interference.
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I'm half Puerto Rican and every Friday we have rice and beans and chicken in my house - so that's like a very Latin staple. It's just so comforting. I look forward to every single Friday because I just can't wait for my rice and beans and chicken.
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The Japanese version comes with a translation, but that's different from the lyrics, so people could look things up and find a translation of their own if they're interested.
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Why would I want a place of my own? Then I would have to things worry about, like doing laundry and having food in the fridge.
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I've been too many places. I'm like the bad penny.
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The idea of going on tour for the rest of my life with old works is not that exciting. As an artist I definitely think the work in future is going to be better than the work in the past, otherwise why do it?
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I wish I could sit back and say, 'Oh, I'm gonna wait for a Merchant-Ivory film to come my way. Or Ivory-Merchant. Whatever it's called. But you just take what's given and then, hopefully, down the road you can be more choosy and only do, say, Wayans brothers movies. That's my goal: to be more Merchant-Ivory-Wayans.
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I just get focused on whatever is in front of me. When I was filming Crossroads, it had all my focus. Now I'm all focused on finishing my recording so I can get that out. It's just day by day.
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Here's what I have at my advantage: I've never been a personality. I've always been a character actor.
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I got beat up up in Texas because my bootlaces were the wrong color.
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Most of my fans, if you were to look on their iPods, you'd see every possible genre of music represented in some capacity.
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Urban America is like a foreign country in a sense.
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I find television, and particularly live television, very romantic: the idea that there is this small group of people, way up high, in a skyscraper in the middle of Manhattan, beaming this signal out into the night.
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Russia can be quite a dangerous place sometimes, but I never think about it.
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Working on 'Girls' opened up a lot of opportunity for me. It's like a dream job. It's a dream.
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I love ensemble work. I love making pieces and building things together.
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I mean, if you have to wake up in the morning to be validated by the editorial page of the New York Times, you got a pretty sorry existence.
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At about 17, I decided I wanted to take kiteboarding seriously and compete, so my agents were like, 'Just keep sending in a few audition tapes anyway, just for good stuff.'
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If so many people love me, how come I'm alone?
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You definitely need to have red lipstick no matter what. You can have a great outfit, but it will always give you that extra little pop. I also love perfume. It doesn't even matter what the perfume is. I like to smell sweet.
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When I'm in Senegal, I can't just sit in isolation making music. People need my help. And the Senegalese people helped create my music. It comes from the country itself.
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I grew up on a farm in Lexington, Oklahoma, a rural community south of Norman. My family moved to Enid, Oklahoma, in 1962, when I was a junior in high school. This cast me into a totally different environment. Enid was a company town for Champlin Petroleum, and there was an oil boom going on.
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A coalition with Tories and Liberal Democrats together is a golden opportunity to create the sort of planning reform that means not only can we have more environmentally sensitive planning, but we can have more homes and more schools.
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Even from when I was in grade school or church or wherever, I was always like: we're one, and we should respect each other and grow as one. And respect each other's diversity, of course.
