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Even the sad roots songs have a lot of good stories to them, and the murder ballads are good too. I mean, who doesn't like to watch a nice gory murder film on TV?
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If my parents hadn't been made to do that from living in the Bible Belt, maybe it wouldn't be something that matters to me - maybe I wouldn't even know how to talk to God.
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I think it's funny how people get confused when they think about church music, because a lot of times there is a soloist who stands out, but my church wasn't like that at all.
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I can't believe the ignorance there, so I don't allow it to affect my life, I don't allow it to come into my zone, and it's not in my world, really.
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I feel a lot of cities are like, you go and you are trying to do your art, and there are so many other artists there who are so brilliant. And it's kind of like they stomp on the scene, and they are like, "You're not already Picasso? Get the hell out of here!" And Memphis is like, "Well, you'll get there one day!"
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My challenges have not been around music. My hardest thing in music was just sitting down and teaching myself how to play and believing in myself.
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The point is to raise your voice and be heard to God. You really are just celebrating being in the presence of other people that believe the same things you believe.
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Whatever people are doing, they're probably going to be doing it five years from now. You have your banker, your general store runner, the principal of the school, and things of that sort. It's nice to see that, and to get old with other people.