Elizabeth I Quotes
Quotes to Explore
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I remember the first time I went to Italy when I was eighteen, I was in Florence and there were all these eighteen, nineteen, twenty-year-olds gliding past on Vespas with crinkly, long, hair, and I thought I was on the set of a movie. I couldn't believe that this was going on and I hadn't known about it before. I was flabbergasted.
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In my case, I write in the past because I'm not really part of the present. I have nothing valid to say about anything current, though I have something to say about what existed then.
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A fashion show is like a 10-minute play, but there's all this anticipation; Everyone arriving, finding their seats, then there's 10 minutes of people walking past and clothes and music, then the whole thing is finished.
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Imagine you can tell YouTube you have an hour to watch TV, and it would give you programming based around what you have watched in the past, what your friends watched and recommended, what your favourite celebrities tweeted about, and on one piece of input from you about what mood you are in.
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The kitchen is where we deal with the elements of the universe. It is where we come to understand our past and ourselves.
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The only thing I regret about my past is the length of it. If I had to live my life again I'd make all the same mistakes - only sooner.
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I don't like to travel as much as I have in the past, but it's good for my soul to get to pick, especially with these good musicians and these guys that play so well.
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I've done stuff in the past and followed in the footsteps of my heroes, and each time, it felt a little bit surreal.
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When I was much younger, I sometimes felt rejected by feminists because of an image that I sold because it paid the bills. Any fool could tell my hair is dyed.
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I am not ashamed of anything - not my past, not my affairs, not my body, and most definitely not my desire.
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I'm really obsessed with the past.
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I'm nearly 50. I'm past being photographed falling out of bars.
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It takes leadership to improve safety. And I started off the movement in my time, but the person who has done more over the past 20 to 30 years and who has led it is Professor Sid Watkins.
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When historians of early America turned from the pursuit of past politics, they devised a category known in the academy as 'social and intellectual history.' In it, they stuffed nearly everything except politics on the assumption, which the anthropologists assured them was correct, that it would all fit together. Somehow it did not.
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The illusion is that most of my work is simply about past events: a point in history and nothing else.
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People always think they're in the middle of a revolution while they tend not to realize the enormity of a change that has happened in the past. The telegraph was a revolution, but who looks at it that way these days? The telegraph sped up the transportation of messages over long distances by a huge factor.
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I'm so suspicious of our own understanding of the past. I just think that your mind plays absolute tricks on you and fools you every minute of every day. And so when you're talking about the past, you're talking about something that never happened. At least it didn't happen the way you think it happened.
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Although Alchemy has now fallen into contempt, and is even considered a thing of the past, the physicain should not be influenced by such judgements.
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As a kid, I just loved cartoons. And as the credits went by, I'd study those names and then try to figure how I could get hired to do what Mel Blanc and Daws Butler did. Create all of these great voices for animated characters.
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My style is mainly about comfort. It has to be comfortable, it has to lay right on me, know what I mean?
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I have friends who practice witchcraft, and I study tarot myself. I guess, to be specific, I don't want to believe in a world without magic.
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I think there's something about being absolutely at the height of intensity at almost every moment of one's job that makes it a lot easier if you don't have time to think much, just sort of barrel through the next crisis.
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That's my favorite part about songwriting, the way you write a song, and someone else might hear it a different way.
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A fool too late bewares when all the peril is past.
