Elizabeth Marvel Quotes
The audience has its own gestalt, and it becomes another character - a character that changes each night.
Quotes to Explore
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A painting probably is the most shocking increase in value, from what it costs to make to what you sell it for.
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I found it an interesting portrait of a marriage in exploring notions of how one partner supports the other, whilst not jeopardizing the greater good - which is the family.
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I remember the first time I stepped into the ring at age 16. I loved hitting things... but who likes getting hit?!
Mandy Bujold -
There are times I think it might be nice to have deep-pocketed limited partners to provide me with some cushion. But I enjoy having no responsibilities except to myself, financially.
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I just love France, I love French people, I love the French language, I love French food. I love their mentality. I just feel like it's me. I'm very French.
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Choreography and creativity - it's my matrix; let's see where we can move.
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The pace of innovation may slow down or speed up depending on the appetite in the public markets, but the constant progress of technology doesn't really ever stop. There's always opportunities for new ideas and creative people to go build great things. I'm always interested in learning about those kinds of opportunities.
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When the whole world is silent, even one voice becomes powerful.
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Our country does not believe in the concept of your God and my God. We believe that all gods are one. We have different ways of accepting Him. All ways lead to Him.
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I was an escapee of childhood. I always wanted to grow up.
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Don't be afraid to convince yourself that your business is incredible, but don't expect others to be convinced without solid data to back it up. Ideas can be a worth a lot, but they are usually not. Execution is everything.
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In falling over in heels while trying to look attractive, you don't just hurt your body, you bear the humiliation of injuring your very soul. Physical pain? Whatever, bring it on. But the humiliation? Oh, you have seen to the very weakest part of me.
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I am no longer concerned with sensation and innovation, but with the perfection of my style.
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There's a certain fear of simplicity. I think that's the thing, when you're younger as an artist, you get this idea in your head that complexity equals quality. The more notes you're playing, the better.
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When I grew up, I thought I was Jewish. Now I don't consider myself Jewish. I consider myself a Kabbalist.
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My kind of, like, life goal is to help train students to be good people as well as good scientists. That would be my dream.
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When Liza Minelli was a child, she used to sit on my lap and call me Uncle Sammy.
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Workplaces still operate like it's 1962 and one person is always at home, and they are not very good at adjusting for the fact that a majority of women work and take care of children.
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There's this element of surprise when you're writing songs, like it's something outside of you that you get to be part of. And it's just exciting. And that's why I keep writing - because I like that feeling.
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I've had the struggles; I've had emotional times, boring times, fun times, passionate times.
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Even when we tell kids to go play, what do the kids do? They come up with a set of constraints and structures. "Oh, we're gonna build a fort out of clothes, and now that we're in the fort we're going to pretend that we're prisoners," or whatever.
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Our greatest evil flows from ourselves.
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In 1977, at age ten, I was cast on the TV sitcom 'Good Times.' My character was Penny, an abused child in desperate need of love. I really didn't want to do the show. I didn't want to be away from my family.
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The audience has its own gestalt, and it becomes another character - a character that changes each night.
