Elizabeth Peyton Quotes
A painting of a person can be descriptive, but for me it's about all the things that make up a picture - the feelings, the brushstrokes - more than describing somebody. People latch on to the personalities when they talk about my work and forget the other parts.
Quotes to Explore
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I was practically driven to Rome in order to obtain the opportunities for art culture and to find a social atmosphere where I was not constantly reminded of my color. The land of liberty had no room for a colored sculptor.
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Mostly people are ignorant, what is the language of painting. You know, they're ignorant. It is so difficult to make them aware, but time will teach them.
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There's a lot of things lost in the Digital Age.
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If there's anything worse than being 16, it's having parents visibly reliving their own teenage years in your anguished presence.
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After spending three years of my life looking into this, I am more convinced than ever that the U.S. government's responsibility for the drug problems in South Central Los Angeles and other inner cities is greater than I ever wrote in the newspaper.
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I learned that instead of relying on and imitating American music, there is a better chance for an Asian artist to succeed if he or she follows his or her own culture.
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Coco Chanel once said that what makes a woman look old is trying desperately to look young. Why should one be ashamed to be 84? Why do you have to say that you're 52? Nobody's going to believe you anyway, so why be such a fool? It's nice that you got to be so old. It's a blessing.
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I'm happy that all my films are different from one another.
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I've bought some Lanvin snake-print wedges, so maybe you'll see me pushing the pram in those and my hotpants!
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I am very emotional. It took me many years to recover from the death of my father. Even when I was playing cricket, I wasn't happy. I would just sit and cry. I was very young. He was too young; he shouldn't have gone. Cricket is all right. We all play sport. Good and bad days come.
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When you're writing a novel - at least the way I write is I work from what I would call 'emotional atmosphere,' ambiance to ambiance.
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The classic, 'Romeo and Juliet,' for me, is the iconic story of young love.
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If you taste something, you're not at the maximum of your ability. What I think about in competition is temperature and texture. It has nothing to do with taste or emotion.
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If the Soviet Union and the United States have not experienced direct military confrontations, on the other hand, they supported, armed and trained Africans, to fight other Africans.
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The books I love most are the ones that combine some sort of gripping story with really beautiful or stylish writing. Some of my favorites are 'The Road' by Cormac McCarthy, 'The Virgin Suicides' by Jeffrey Eugenides, 'The Interpreter of Maladies' by Jhumpa Lahiri, and 'Blindness' by Jose Saramago.
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The 'chinked out' style is a school of hip hop - that's the way I like to think of it - that incorporates Chinese elements and sounds.
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The war against terrorism is a war against those who engage in torture.
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My brother is really, really slow.
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While I did not get any formal training in acting, every summer vacation, from the age of five, my father would take me to Ooty with him, and I would do films as a child star. I did over 10 films like that, and it was understood that post finishing my education, I would become an actor.
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I'm bringing what I've always wanted: film quality work on television. That's the way it should be.
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Life is a difficult game. You can win it only by retaining your birthright to be a person.
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I don't have an all-embracing vision which people have to buy. I'm simply trying to work with the struggles we all deal with every day while we're trying to live out our personal destinies and make a living at the same time.
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Everyone thinks they've won the Magical Belief Lottery. Everyone thinks they more or less have a handle on things, that they, as opposed to the billions who disagree with them, have somehow lucked into the one true belief system.
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A painting of a person can be descriptive, but for me it's about all the things that make up a picture - the feelings, the brushstrokes - more than describing somebody. People latch on to the personalities when they talk about my work and forget the other parts.
