Mark Rothko Quotes
..one must agree with Rilke when he says that with 'nothing can one touch a work of art so little as with critical words..' .It was Marcel Duchamps who was critical, when he drew a moustache on the 'Mona Lisa'. And so was Mondrian when he dreamed of the dissolution of painting, sculpture, and architecture into a transcendent ensemble.
Quotes to Explore
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We must continue building in all corners of the Land of Israel, with determination and without being confused.
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I approach these people from a standpoint of love. How were they loved? How do they love? What's going on in their heart? There's that that I think about with every role.
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For all intents and purposes, I'm a woman.
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I come from an African Caribbean background. I've been influenced by a reggae church music style, contemporary gospel, and rock all fused together.
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We as women have a voice and we are decision makers in what film to see. We always support our boyfriends and husbands by going to see the male dominated films, but we don't compel them to see films with female casts.
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I don't have a telephone. If I had a lot of money, I wouldn't have one.
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When the peace treaty is signed, the war isn't over for the veterans, or the family. It's just starting.
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I've come a long way since 2007 when I kind of launched my golf career.
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To do a really good interview, you have to be truly interested in the person.
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I want some colleague to be free to come help me when I say the time has come. That's what I'm fighting for, me. Now that sounds selfish. And if it helps somebody else, so be it.
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Learning to read the Bible in the light of the times in which it was written is critical.
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My mum and I do cardio kickboxing classes together.
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I have always been interested in design, but in the beginning I didn't set out to make jewelry specifically.
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Otherwise I don't read much adult poetry at all, because I'm not smart enough and mostly I don't get it.
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The list of problems that we all experience may be endless, but I honestly cannot abide by the rule that, 'He who yells louder is heard.'
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I try to explain to people that you get the roles that are right when they're right. If you have a nerd character but you're kind of a cool guy, you're probably not going to get the nerd part. The nerd is going to get the nerd part. You know, someone like me.
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Most of the competition was into bulk popcorn because of the major increases in the Drive-In Theatre Outlets.
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There weren't really any visible men in my family when I was growing up, but of course there have been men in my life, wonderful men.
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I care what my reader thinks. There is no fancy recommendation you can give me that would matter to me as much as Mary Jane from Youngstown writing me a letter. There is not one. Don't need it, don't want it, don't require it, does not fill up my soul. It's about her, not about the rest of it.
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I like to be busy. I once shared an agent with the late Sir John Gielgud, who, at 96, was apparently still ringing up, saying, 'Hello, Gielgud here, any work?' Good on him. We've got to keep working. If we retire, there'll be nobody to play the old wrinklies, and that would be a dreadful shame.
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Writing for myself and writing for another artist are two very different experiences. When I handle both the story and the art, I have full control. I can endlessly tweak every word and every line.
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Art is standing with one hand extended into the universe and one hand extended into the world, and letting ourselves be a conduit for passing energy.
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No one looks at your hands to see how much they shake when you are interviewed to be a surgeon. The physical skills required are no greater than for writing cursive script. If an operation requires so much skill only a few surgeons can do it, you modify the operation to make it simpler.
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..one must agree with Rilke when he says that with 'nothing can one touch a work of art so little as with critical words..' .It was Marcel Duchamps who was critical, when he drew a moustache on the 'Mona Lisa'. And so was Mondrian when he dreamed of the dissolution of painting, sculpture, and architecture into a transcendent ensemble.
