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I have no regrets. I feel very grateful for the life that I had - you know, family I live with; and I've been doing work that I love, ever since I came to Nashville.
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I've come to appreciate how special a song is compared to other art forms, because you can carry it around in your head and your heart, and it remains part of you. It just comes as natural as a bird to me, always did. It's the way singer-songwriters make sense of our lives.
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Comin' close together with a feelin' that I've never known before, in my time.She ain't ashamed to be a woman, or afraid to be a friend.I don't know the answer to the easy way she opened every door in my mind.But dreamin' was as easy as believin' it was never gonna end.And lovin' her was easier than anything I'll ever do again.
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I never was one to go into an office and write. For one thing, I had a job. I was cleaning the ashtrays and setting up the studios at Columbia for a couple of years and working every other week down in the Gulf of Mexico flying helicopters. I didn't really get to just write songs for about five years.
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I wish my memory weren't so bad. They tell me it's from all the football and boxing and the concussions that I got.
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If God made anything better than women, he kept it for himself.
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I feel like an old boxer. The brain's gone, but I can still move around.
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The great thing about Nashville back in the day was that the old guys hung out where the young guys were. The established writers like Harlan Howard and Jack Clement gave us encouragement and passed the guitar, you know? Chet Atkins let me sit in on his sessions. Everybody was good to us, and everybody loved the music.
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Everything that I write is sort of autobiographical, and I don't know that I'm getting better, but I'm certainly running out of time.
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Songs are just like your kids. You love them all, and they're all different. I can't really pick out favourites.
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I grew up in a time when people believed in duty, honor and country. My grandfathers were both officers. My father was a General in the Air Force. My brother and I were both in the Army. I've always felt a kinship with soldiers; I think it's possible to support the warrior and be against the war.
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I never thought of acting as a creative process. Christ, I used to go to the movies and see Brando talking like he was trying to sell shoes, and he was great. I thought anybody could do it. Then I tried it, and I got so uptight, I'm limited as to what I can do on film.
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Those 'Idol' shows are kind of scary to me. They wanted me to be on one of those panels one time, and I said it's the last thing in the world I'd ever want to do. I would hate to have to discourage somebody.
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'This Old Road' somehow seems to get better the older you get.
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I've never really felt comfortable co-writing. I usually go at my own speed, you know.
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Right after I resigned from the Army in 1965, I flew helicopters for oil platforms in the Gulf of Mexico. I flew personnel from rig to rig, and I'd live on a platform out at sea.
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If 'Bobby McGee' lasts, if 'Star Is Born' lasts, if 'Help Me Make It through the Night' lasts, if all of 'em last, man... who cares?
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I was in Nicaragua with the Sandinistas. I've argued for Leonard Peltier, Mumia Abu-Jamal, the United Farm Workers. I've been a radical for a long time. I guess it's too bad. I'd be more marketable as a right-wing redneck. But I got into this to tell the truth as I saw it.
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Freedom is just another word: It seems to get truer the older I get.
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I think that a society lives or dies according to its respect for - for its art.
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I think it's kind of odd that 'This Old Road' was the first video I ever did. Because of all of the work I had done in films and everything, you'd think I would have done a video before that.
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I've had a life of all kinds of experiences - most of them good. And I've got eight kids and a wife that puts up with everything I do and keeps me out of trouble.
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I thought he was the greatest thing. Bob Dylan.
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You don't paddle against the current, you paddle with it. And if you get good at it, you throw away the oars.