Kristen Bell Quotes
All girls hit that phase where they like the bad boy. I grew out of that really young and I have a wonderful guy in my life who's not a bad boy at all. I like the satiric, consistent nice guy.
Quotes to Explore
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We are skinny; this is our work. There are lots of overweight people working in offices, but I'm not going to say, 'This girl is fat; she can't work in an office.'
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The tragedy of all of this is that it happened to me and it shouldn't have happened. It ruined my life and my career. That's the tragedy of this.
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Directing is so interesting. You know, it just sort of encompasses everything that you see, that you know, that you've felt, that you have observed.
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I've always wanted to work with Warren Beatty.
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Each dress symbolizes the age that it's appropriate for.
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Berlusconi is a genius in communication. Otherwise, he would never have become so rich.
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I motivate others by making sure that they understand to go after their dreams and don't let anyone tell you you can't. If you are motivated enough and put the work in that you can achieve anything in life that you set your mind to.
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I loved the idea of somebody literally fighting for love.
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I know this sounds terribly shallow, but I've been mapping out my outfits for the next day every day since I was little, even before high school.
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I constantly remind people that crime isn't solved by technology; it's solved by people.
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If birth matters, midwives matter. In Europe, there are hospitals where the cesarean rate is less than 10%, and you'll find midwives in these hospitals, you'll see a lot less re-admissions with infections and complications, and you'll see a lot less injury to mothers.
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But as I grew up as a child, falling in love with the theater and Shakespeare, my heroes were Sir Laurence Olivier and Sir John Gielgud.
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Never trust the artist. Trust the tale. The proper function of the critic is to save the tale from the artist who created it.
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Just as soaps were very pivotal in the transition from radio to television, they will be right in the thick of things again in the transition from television to the Internet. Exciting news.
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All my fiction starts from a feeling of unique perception, the pressure of a secret, a story that needs to be told.
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One has to have the courage of one's pessimism.
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I was very close to my mother, and her death, which left a gaping hole in my life, has been very difficult for me and my father in a lot of ways.
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I want medical experiments on animals stopped. They don't do anything, and they don't work.
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I have to make this love affair believable enough. It's very European.
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I'm not trying to be the triple threat guy. I'm still working on this one threat; acting.
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I'm from a salt-of-the-earth, working-class, northern background. My dad's a steelworker and a firefighter, and my mum is a secretary for the NHS.
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If we didn't want to upset anyone, we would make films about sewing, but even that could be dangerous. But I think finally, in a film, it is how the balance is and the feelings are. But I think there has to be those contrasts and strong things within a film for the total experience.
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No man can put a chain about the ankle of his fellow man without at last finding the other end fastened about his own neck.
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All girls hit that phase where they like the bad boy. I grew out of that really young and I have a wonderful guy in my life who's not a bad boy at all. I like the satiric, consistent nice guy.
