V. S. Naipaul Quotes
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Each book, intuitively sensed and, in the case of fiction, intuitively worked out, stands on what has gone before, and grows out of it. I feel that at any stage of my literary career it could have been said that the last book contained all the others.
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We made no inquiries about India or about the families people had left behind. When our ways of thinking had changed, and we wished to know, it was too late. I know nothing of the people on my father's side; I know only that some of them came from Nepal.
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I became very interested in the Islamic question, and thought I would try to understand it from the roots, ask very simple questions and somehow make a narrative of that discovery.
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If you want to write serious books, you must be ready to break the forms, break the forms.
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I've never abandoned the novel.
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I could meet dreadful people and end up seeing the world through their eyes, seeing their frailties, their needs.
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In England people are very proud of being very stupid.
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I know my father and my mother, but beyond that I cannot go. My ancestry is blurred.
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One is made by all the things around one. There are many things that have made one. For a writer to go around looking for things that have made him is asking for trouble. It's like giving a character to yourself. Can't do it. Can't do it. These things are just there. Is that enough?
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Nothing was made in Trinidad.
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The reason is that they define how I have gone about my business. I have trusted to intuition. I did it at the beginning. I do it even now. I have no idea how things might turn out, where in my writing I might go next.
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Making a book is such a big enterprise.
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Many writers tend to write summing-up books at the end of their lives.
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I could scarcely bear to look at her eyes. They promised such intimacies.
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I don't feel I can speak with authority for many other people.
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Some writers can only deal with childhood experience, because it's complete. For another kind of writer, life goes on, and he's able to keep processing that as well.
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It was a good place for getting lost in, a city no one ever knew, a city explored from the neutral heart outward, until after many years, it defined itself into a jumble of clearings separated by stretches of the unknown, through which the narrowest of paths had been cut.
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Whatever extra there is in me at any given moment isn't fully formed. I am hardly aware of it; it awaits the next book. It will - with luck - come to me during the actual writing, and it will take me by surprise.
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I profoundly feel that people are letting you down all the time.
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I read a piece of writing and within a paragraph or two I know whether it is by a woman or not.
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To be converted you have to destroy your past, destroy your history. You have to stamp on it, you have to say 'my ancestral culture does not exist, it doesn't matter.'
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I always knew who I was and where I had come from. I was not looking for a home in other people's lands.
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And whenever I saw Luis, Graça's husband, I dealt with him with a friendship that was quite genuine, since it was offered out of gratitude for Graça's love.
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It's very attractive to people to be a victim. Instead of having to think out the whole situation, about history and your group and what you are doing... if you begin from the point of view of being a victim, you've got it half-made. I mean intellectually.