Mark Ruffalo Quotes
You really can have your dreams and at the same time have a family. But it has to be a really deliberate practice.

Quotes to Explore
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If I was to do anything besides acting, I would be a fireman or a beat cop. I'd do a regular job.
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I don't really approach stories to make them different from other stuff I've seen, I just try to get into the character, into his or her head. Try to make it as funny, as scary or as wild as I can so that I really like it.
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Futurists wanted to suggest movement by means of a dynamic painting; Duchamp applies the notion of delay - or, rather, or analysis - to movement.
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America is another name for opportunity.
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I spent most of the year in the studio for electronic music at a radio station in Cologne or in other studios where I produced new works with all kinds of electronic apparatus.
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Dave thought he was bigger than Van Halen the band. So there was this catfight going on for 10 years.
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I'm fascinated by the way Diane Arbus saw things. She came from this fashion background and then twisted it.
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I'm trying to write a TV show. Ideally it would be just a reality-TV show, getting the guy who played Eddie Winslow and Kirk Cameron to live in a house. The Jehovah's Witnesses would come to the house a lot or something like that. I kind of like the idea of Scientologists and Mormons and Jehovah's Witnesses trying to convert Kirk Cameron.
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I did absolutely grow up in a world surrounded by people who were always performing and being flamboyant.
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No, what is important is neither linearity or non-linearity, but the change, the degree of change from something that doesn't move to other events with different tempos in particular.
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At the beginning when the child is coming, people worry the child may be deformed. When a healthy boy or child comes, people are very happy for a short moment.
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I'm never gonna change the skin, right? I'm very proud of what it implies and what it has meant to me... but then again, in Congress, I hope to make my mark as a colleague and as a leader.
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Poor people have more fun than rich people, they say; and I notice it's the rich people who keep saying it.
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Buildings are forms of performances.
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Nothing will ever be attempted if all possible objections must first be overcome.
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Behind every easy role, there is a lot of hard work that goes in.
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I'm a big Hall and Oates fan.
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Anything salty and crunch is a world of perfection to me. Put chips in front of me, and I will eat to the bottom of the bag. Because I have the tendency to do this, I found these amazing Eden Brown Rice Chips. They're the perfect amount of salt and crunch, and there's nothing in them.
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I enjoy collaborating with creative people and trying to get the best image possible to convey a feeling or story. Plus, I get flown all over the world to exotic places. How can you lose interest in that? It's a great lifestyle. I can take vacations whenever I want, and no two shoots are ever the same.
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I started working in front of the camera for the first time when I was 15 years old. I joined a soap opera. We filmed in Brooklyn, and I would skip class to shoot my scenes.
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There was a time in my life when I was travelling to football grounds five days a week. Combined with TV work and the hours spent driving to different venues as well as watching the game, it took up an enormous chunk of my life. But I'm getting older, and those days are long gone.
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The exciting quality about Joyce is that when you read him, you are not told of the large public issues that were agitating the minds of politicians and journalists on those days. Joyce is interested in the mind of a man who has put five shillings on a horse.
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I think it's also the case that I'm not as widely travelled, or as well-educated in history, as most of the other novelists I meet: so I have to write about my own country, at the present time, because it's more or less all I know about!
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You really can have your dreams and at the same time have a family. But it has to be a really deliberate practice.