Elizabeth Wurtzel Quotes
Quotes to Explore
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I want to see what I look like when I'm old - I'm curious where that's going to take me.
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It's really important to me that my sound is a combination of beats and melody. I love hearing strong, confident beats in music because I love to dance. At the same time, melody is really important to me because I love singing.
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Every man is different. You can't generalize with men; you have to find out what your man wants. You have to listen to him when he's telling you what he wants, because a lot of times they're telling you, but you're not listening.
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I'm completely in love with the idea of love.
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But there's a huge blessing that comes from being a part of a show like 'The Cosby Show' that sets such a high standard of quality - it touched so many people on so many different levels.
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I don't have time to be that girl who does the super workout. But I try to be as fit as possible, given my schedule. Even if I do 20 minutes a day, it's better than nothing.
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I loved the time I got to spend in Denver. My boys, Arin and Ryan, were growing up. I got to spend time with them without being pried upon. There was no public scrutiny. I was free and could take them to the supermarket or to the park without being noticed or looked at.
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I may as well say it, I have been married three times.
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If you look at an old piece of sheet music, there's all kinds of text on it, there are ads, there are proclamations of the greatest songs' success, there's artwork. So there is a tactile, physical experience of learning the song and the way it's notated.
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In India, you see the way they embrace color in the culture - it's very celebratory of the existence of color. There's no rule of what color belongs together or doesn't belong together. They're not precious about it. It's very full-on.
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How one handles success or failure is determined by their early childhood.
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One of the ways I stuck out was I was a very passionate reader. There was probably a cyclical nature to that; the more I felt like an outcast, the more I sought refuge in books, and the more I sought refuge in books, the more it made me not speak the same language as my peers.
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I believe in American exceptionalism, just as I suspect that the Brits believe in British exceptionalism and the Greeks believe in Greek exceptionalism.
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Stories in families are colossally important. Every family has stories: some funny, some proud, some embarrassing, some shameful. Knowing them is proof of belonging to the family.
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I have not mutated myself in any way.
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There's an adage that a lot of coaches have, that I completely disagree with, is if you make the Olympic team too early you become complacent.
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I have known a handful of producers who actually were equal or superior to the writers with whom they worked. These producers were a new kind of nonwriting writer hatched by the movies-as Australia produced wingless birds. They wrote without pencils or even words. Using a sort of mime-like talent, they could make up things like writers.
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If you think about what acting is supposed to be, my job is to disappear.
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The Yiddish language is so rich and unusual that I've always been hooked on its sounds, although I don't speak it.
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I am a mortician who tells you that you don't necessarily need a mortician.
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I am not fond of lengthy descriptions of phony artworks.
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I don't know what to do if I am not inspiring some sort of false fascination.
