Neill Blomkamp Quotes
I just want to make films that have enough of a budget to pull off high-level imagery but also have a budget that is low enough that I can do what I want.
Quotes to Explore
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I have to be seen to be believed.
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There's nothing more interesting than the landscape of the human face.
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The true self seeks release, not constraint. It doesn't want to be corseted in a sonnet or made to learn a system of musical notations. It wants liberation, which is why very often it fastens on the novel, for the novel seems spacious, undefined, free.
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I think music needs danger; it needs risk.
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I think the attraction to Israeli women stems from the fact that we're exotic and the fact that there are many talented and beautiful women in Israel. I think that there is also greater awareness of Israel than before in the movie industry.
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Japanese people are not known for expressing their feelings through singing and dancing, but I like to sing a lot. I don't just sing to myself in the shower. I sing everywhere.
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Strong limits on carbon pollution will save Americans money, create jobs, improve our health, and help defuse climate change.
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Tick is a cartoon character, I don't know if you're familiar with him. This is the third step in his evolution. Comic book to cartoon to, now, live-action.
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In my role as a spokesperson for Amnesty International U.S.A. and as a supporter of various charitable causes including Unlock Iran, a campaign to release prisoners of conscience in Iran, I have never been faced with the threat of intimidation or arrest.
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It's hard to find a play that's right for me to do. Rather than waiting around for the right script to come along, I decided to write one myself.
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I had to create some good work habits and attitude.
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People know I have a good time on stage. I love my life. I love my job.
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The bad reviews get to me, believe me.
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I like a guy who uses his hips when he's dancing.
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It's actually harder to write a fun song.
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I'm trying to knock the medical profession into accepting its responsibilities, and those responsibilities include assisting their patients with death.
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I feel like there's such a responsibility, when you make a film, to enlighten people, to make them think, to make them laugh, or even just to be entertaining.
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When I was a young girl, I was so crazy about animals that I wanted to do something associated with them, and I thought of being a vet. But then again, I figured I had to go to medical school, and science wasn't a good subject for me, so I dropped the idea pretty soon and thought maybe I could be a vet's assistant.
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I have a friend in New York who's a stylist and I went over to her place because she's got a lot of clothes. I basically ended up wearing most of it. So it's all stuff that I brought over.
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The only language that the Japanese whaling industry understands is economics.
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Syd's story is a sad story romanticised by people who don't know anything about it. They've made it fashionable but it's just not that way.
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I am the only person still alive of that rescuing group but I want everyone to know that, while I was coordinating our efforts, we were about twenty to twenty five people. I did not do it alone.
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The problem of a rising population destroying more than four tons of soil for every human already alive needs to find its way into corporate board rooms if we are to enjoy future financial, economic and political stability.
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I just want to make films that have enough of a budget to pull off high-level imagery but also have a budget that is low enough that I can do what I want.
