Ellen DeGeneres Quotes
The reason I do what I do is because I was influenced by Steve Martin, by Woody Allen, by Bob Newhart, by Carol Burnett, by Lucille Ball.

Quotes to Explore
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In 1958, my father invested everything he had in a business venture and became the largest automobile dealership in Chicago for Ford's new Edsel line. But Edsel sales plummeted and my father fell into bankruptcy. I watched him struggle; working long hours to protect us from poverty.
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Anti-inflammatories always seemed to work well for my joints, but the problem was you couldn't take them all the time.
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How long you live is less important than how healthy you are along the way.
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I'm a huge Disney nut. I have been since I was a little kid.
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The moral argument is that we give big business a huge tax break, and why do we do it? To get their jobs.
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We are a typical working class northern family, big into our football... no one in the family was into acting. But I remember seeing a panto when I was about six and thinking, 'Yeah... I wouldn't mind doing that.'
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In Australia, I grew up watching 'The Mickey Mouse Club,' my son grew up watching 'Sesame Street,' my grandson's growing up watching 'Dora The Explorer.' So we are sort of saturated with American culture from the day we're born, and to those of those who do have an ear for it, it's second nature.
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The real 1960s began on the afternoon of November 22, 1963. It came to seem that Kennedy's murder opened some malign trap door in American culture, and the wild bats flapped out.
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You cannot be seeking yourself when you're making money.
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The injunction that we should love our neighbors as ourselves means to us equally that we should love ourselves as we love our neighbors.
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It's hard to notice things without people noticing me and that takes some getting used to.
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Your problem is to bridge the gap which exists between where you are now and the goal you intend to reach.
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I always found that drama, really good drama, has a lot of comedy in it.
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We must have the courage to confront dreadful views even in the people we love the most. But that's difficult to do when we cast large segments of our fellow citizens into a basket to be condemned and disparaged, judging them even as we ignore that many of their deplorable traits exist in us, too.
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More people work at Walmart than anywhere else in the United States, but you wouldn't know that from our literature. I'm trying to get at the reality of this country by portraying the lives of many of my friends who I left behind in Pittsburgh.
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I talked to ex-wives of musicians of the '70s for research. They're the funniest people in the world, yet there is this sad, beautiful thing in their eyes that says they've seen more than they could ever possibly tell you.
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I find the term 'perfect child' to be an oxymoron.
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I don't think anything can touch the expressive range of the guitar.
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Not everybody's a baseball fan.
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I love and honour [Paulus Aemilius, in Plutarch's Lives], for his fondness for his children, which instead of blushing at, he avows and glories in: and that at an age, when almost all the heros and great men thought that to make their children and family a secondary concern, was the first proof of their superiority and greatness of soul.
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Whatever an artist's personal feelings are, as soon as an artist fills a certain area on the canvas or circumscribes it, he becomes historical. He acts from or upon other artists.
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I'm not trying to be fashionable. Never was!
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I've only read three books by Stephen King. When I was 10 I read 'The Long Walk,' one of his pseudonymous Bachman books. In my early 20s, while trapped on a family vacation, I read 'The Dark Half,' which taught me a word I have never forgotten: psychopomp. Now I have read '11/22/63.'
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The reason I do what I do is because I was influenced by Steve Martin, by Woody Allen, by Bob Newhart, by Carol Burnett, by Lucille Ball.