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We've yet to deal with the uncomfortable history of England being involved in the transatlantic slave trade, whereas America has at least made some movies dealing with its racial history.
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If people see that I'm fully committed to my chosen charities and fully engaged in their issues, maybe they'll click a link to find out more.
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I was always the classroom clown, and the teachers allowed me a certain latitude. The assemblies were good, and the headmaster used to tell little stories; I loved the idea of communal storytelling.
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I'm very fortunate. I loved school and, when I went there, race, gangs and violence were not issues. There was a feeling, gone now, that you had to be presentable. If you hadn't combed your hair, older black ladies - complete strangers - would come up to you in the street and pull out a comb and straighten your tie.
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My parents are very proud of my success but still worry, as I'm in a profession where there is no guarantee of work. They have always supported my decision to go into acting, but there have been tough times work-wise.
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We live on a planet of limited resources - an abstract notion for some of the world's population, but for many of the poorest and most vulnerable, those limits are all too real.
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Art is all about the experience. I could say I don't really relate to opera, but then you watch Placido Domingo, and you go, 'Blimey, look at that.'
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I started reading DC stuff much later in my life. You realize that there's a huge difference between the Marvel universe and the DC universe and the characters that own it.
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I love the stage, but it doesn't pay the mortgage.
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The area where I grew up in Birmingham was very diverse - I was aware of my race but not overly aware of it - and there seemed to be an understanding that we were all very much in the same boat.
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My black hero is and always will be Martin Luther King, not just because of the strength of his oratory but because his vision was very much the reality that I'd come to take for granted.
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As soon as you become of interest to the media, the charity requests start rolling in, and it's not easy saying no. But if you endorse every charity that asks you, you're not really endorsing any of them. It has to mean something.
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I am the youngest of four children - three boys and one girl. I don't think becoming an actor had anything to do with seeking attention, though. My relationship with my siblings when I was growing up was close and playful.
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I loathe the word 'celebrity,' and I hope I'm not a diva. Whenever I see diva-ish behaviour, I just leave the room; I find it appalling. You should always try to be civil to people.
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Two years after drama school, I had a nervous breakdown: I heard voices, and the voice I heard in my head was Martin Luther King's.
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When filming for 'Beowulf,' we were close to Hadrian's Wall; there was no phone signal, and the scenery was spectacular.
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When I was in South Africa, I went for dinner with some friends, and I knew more about their history than they did - it just hasn't been told.
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I do know in the 1960s comics, Martian Manhunter took on the form of a black man - that could have been influenced by the political climate back then.
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My parents came over from Barbados in the late 1950s and early '60s.
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I was in a number of school plays, one in particular, when I was 13 or 14, entitled 'Illusions.' It was put together by one of the teachers, and was about famous historical figures. I had to do the Martin Luther King 'I have a dream' speech, and some black women in the audience were clapping and crying and whooping.
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For all its problems, I found South Africa a beautiful country, interesting and inspiring.
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Before recording my 'Homeland' audition on my iPhone in my bedroom in Streatham, I hadn't worked or had an audition in the U.K. for nine months.
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We live in a world of strange priorities, where Kim Kardashian buying a Lamborghini creates international headlines, but children in Niger suffering from drought and children in Britain suffering from leukaemia go unnoticed.
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I loved working with Mandy Patinkin, I have to say.