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What I need is for comics to not cheapen out and just do what they think a bunch of bloodthirsty 15 year old fans want.
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If you're ruling the world, you can't trust anybody. Because even those who profess to be working in your interest - those are also villains in and of their own right.
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I'll still do print comics; as long as there's a market, I'll still be there. I just have a hard time believing that's the future.
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I'm not a big fan of the George Lucas school of meddling and tinkering. That's a slippery slope.
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I think superheroes are about flying. They're not about moping.
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You can do all of the world-building you want; at the end of the day, what's important is the heart and the drive of the story and the heart and the drive of the characters.
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There's a reason Archie didn't go the way of Betty Boop or Davy Crockett or Woody Woodpecker, forgotten relics of a bygone era, and it's because when 'Archie' stories are at their best, anyone of any age can see a little bit of themselves in them.
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We're brought up to believe in a fairytale-romance sort of way that true love is out there and true loves don't care about what you look like and stuff, just what's down inside. And that's probably true, but what's also true, sadly, is that true loves are very rare and very hard to find.
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When you're a kid, regardless of the age you grew up, everything is high opera. With hormones raging, you have to fight external and internal battles that you've never had to deal with before. Unlike Tony Stark and Steve Rogers, who have seen it all and been through it all, everything heightens the drama.
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In Marvel Comics, the worst thing was always that your loved ones could be attacked, or you could be horribly beaten in a knock-down, drag-out fight, but in the Superman comics, you would be run out of town with people throwing rotten vegetables at you and waving a sign that said, 'Superman, Who Needs You?'
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For me, it's infinitely more interesting to read or watch a character making decisions they think are right, but the audience knows differently, and seeing that disconnect. The only way characters can grow and learn is by making the wrong decisions and then learning from them.
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If I wanted to write a bunch of comics about 50-year-olds sitting around having a conversation about politics, that would be realistic, but it'd be the dullest comic in the world.
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What's interesting is that younger characters just have a more vibrant, exciting point of view on the world. They are more emotional, they are more dramatic, and they are just electric.
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I broke into comics by working as a press reporter for the industry, for a trade press in comics, and reporting on events and reporting on books and so forth, and I got to know some of the editors at DC Comics in the mid-'80s.
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I think of it this way: When you hear that people have downloaded your comic, appreciate that thousands are eager to hear what you have to say. The poetry club down the hall may not have the same problem. That's a good problem to have.
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I'm a big believer that if you buy a comic, you ought to own it.
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I think someone like Jack Kirby, for instance, would suffer greatly in the transition from print to digital were he still around.
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I can see this, I suppose you could call it, aura of colors that words can't describe around living things. And when something dies the aura fades leaving something that's not easy to look at. It appears empty in a way that makes you feel empty too!
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I'm not as good a prose writer as I'd like to be, but I never aspired to that.
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Younger characters are just much more emotional.
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I was the last guy I imagined anyone would ever associate with 'Daredevil,' but once I gave the character some thought, much like with the 'Fantastic Four,' I found my hooks and, I think, some angles on the series that have never been explored.
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What I've found over the years working on various projects is, you can have a clever book or clever tagline, but there has to be a story to go along with it that leads to something bigger. Something with a little more texture to it.
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You have watched the Titans walk the Earth … and you have kept stride. Perhaps you are more like them than you realize. You exist … to give hope.
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The beauty of Captain America is that you didn't have to come from a distant planet, like Superman, or he didn't have to be born into a family of billionaires like Bruce Wayne. He happened to be in the right place at the right time, and someone gave him a magic potion, and he grew muscles and became a superhero.