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You have watched the Titans walk the Earth … and you have kept stride. Perhaps you are more like them than you realize. You exist … to give hope.
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I broke into comics by working as a press reporter for the industry, for a trade press in comics, and reporting on events and reporting on books and so forth, and I got to know some of the editors at DC Comics in the mid-'80s.
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If I wanted to write a bunch of comics about 50-year-olds sitting around having a conversation about politics, that would be realistic, but it'd be the dullest comic in the world.
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A superhero is someone who, at some point or in some way, inspires hope or is the enemy of cynicism.
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After ten years he has finally let free a wrath that would cower Satan himself. How can any man possibly calm the fury he feels towards his persecutors.
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I respect people of faith, but I'm not one.
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The beauty of Captain America is that you didn't have to come from a distant planet, like Superman, or he didn't have to be born into a family of billionaires like Bruce Wayne. He happened to be in the right place at the right time, and someone gave him a magic potion, and he grew muscles and became a superhero.
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What sets 'Archie' apart from the many, many times I've reworked and rebooted long-standing characters is that this time, it was really scary.
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The best stories, the most-fun 'Avengers' stories, explore the relationships between the characters.
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Teaching is good for me. It forces me to articulate ways of doing things or rules of thumb that I've sort of taken for granted.
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I love Jughead. I love his one-step-removed perspective on everything in Riverdale. And I love the fact that he wears that stupid hat.
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I love print comics.
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Style and entertainment tastes change, but the core emotions of being a kid - which, not coincidentally, are the core foundations of any good story - are constant.
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Indestructible does not mean utterly invincible.
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I don't know if you'd do a Marvel story on Ferguson, because it trivializes what the real flesh-and-blood people on the ground are doing there. But you can make an allegory and deal with the bigger questions.
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I think someone like Jack Kirby, for instance, would suffer greatly in the transition from print to digital were he still around.
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The fun of writing established characters is that there's a rich mythology to draw from - you get to play with toys you loved as a kid.
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I love the challenge of taking established, iconic comics characters and showing readers why they remain contemporary.
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When you're writing a team book where every character already has his or her own series, you don't have dominion over them as individuals - but what you can exploit is their relationships with one another.
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Especially in the digital age, people want everything now, now, now.
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What I've found over the years working on various projects is, you can have a clever book or clever tagline, but there has to be a story to go along with it that leads to something bigger. Something with a little more texture to it.
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Anyone can write a detective story about a detective who fails, for Pete's sake. That's pretty unambitious.
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It's always an amazing gift to be able to work with storytellers who 'get it' and who can not only draw anything but can draw it better and more dynamically than you'd ever envisioned.
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I think there's a moral imperative when you're writing fictional heroes to give characters who somehow give us something to aspire to as opposed to dragging them down to our level.