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When I write, I tend to tap into this human wondering vibe that could come off negative, but it's really not.
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All of my surroundings influence my songwriting. It's autobiographical, although I leave enough space so it's relatable.
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There comes a time when you've toured a ton, and a time to be inspired again. Listen to awesome jazz records that are mellow with no words, and just sit there and read a book, or space out on your couch. And eventually, all that inspiration comes.
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I'll know when a song's really awesome, for sure, and I get super stoked, and I'm so high when I'm hearing it back, but then you sit with the record forever. You're mixing it, and you can really just over-think everything.
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We'll play somewhere like London, playing to 2,000 people easy, and every time you play with more people, you think, 'You're a rock star,' and it makes you laugh. I guess I am, but I'm also, you know, not.
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I think 'She Drives Me Crazy' is hilarious and good.
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I always sort of liked Mesa/Boogies, but I wasn't sure if they were cool or not cool.
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I find that I get nervous before I play. Even sound checks can give me anxiety and screw with my mind. But as long as I can play a little acoustic guitar backstage if I'm feeling nervous, so I don't have to walk in there cold turkey, I'll be fine.
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I get to come home to my family. It's awesome, just constant adventure, never a dull moment. So much life.
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It's gotta feel natural. I'm always into that, and after awhile, if I am working on a song too long and trying to make something out of it that it's not... it's best just to stop and move on.
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Life is so beautiful, but there are all these scary things you can't deny.
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If I had known I'd be on Matador back then in my childhood, it would have blown my mind.
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No offense to Boston, but I was glad to get out of there. I think it's just because I'm from Philly. Honestly, the blue collar side of each are pretty similar in ways, but something about the makeup of your brain, Philly versus Boston. It's a lot different, in weird ways.
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I'm not cynical, but the reality is that life is mortal. Terrible, sad things happen. Everybody loses friends and family. I'll be on tour and get really scared if my wife won't answer her phone within one minute. I'm sensitive.
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When I was 20, I moved up to Boston with my girlfriend, who's now my wife. She went to grad school, and I met a bunch of cool friends there.
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When I leave a recording session, there is usually a lot of paranoia or superstition on my part, like I'm afraid to hear what we've done.
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I've always been a deep sleeper; because I come from such a large family - there are 10 kids - I could sleep through anything. Even with my last day job, I'd sleep in later and later and start coming in an hour-and-a-half late. I got fired twice before I really got fired.
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I like New York. I like Philly. I like San Fran. I like when people are stoked. But Chicago's a real music town, and they're really good to us there. There's just something in the air there; people are just really stoked about music. Every time I go there, I have a great time, and the fandom is really heartwarming.
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Around '93, the radio started playing 'Loser' by Beck and 'Cut Your Hair' by Pavement, and then I got way into Pavement. That was kind of a gateway drug into indie rock. I got all their B-sides, and I got that 'Hey Drag City' comp, so I got into all those Drag City bands.
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I actually often write about writing music and being in that zone.
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On one level, we're on Matador, but our amps still might explode on stage, or they'll be an echo in the mic. It's like climbing a ladder. I like to climb it really slowly. I could probably get really professional right away, but I like to take baby steps and find my own way.
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I want really badly to just be funny in a movie but be close to myself.
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I like to laugh at dark things.
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I really love that 'I Can Feel the Heart Beating as One' Yo La Tengo record a lot.