Kurt Vile Quotes
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We'll play somewhere like London, playing to 2,000 people easy, and every time you play with more people, you think, 'You're a rock star,' and it makes you laugh. I guess I am, but I'm also, you know, not.
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The real reason I was lo-fi before was really just because that's what I could afford.
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Humor is important. Nothing against bands that are always a downer, but the reality is - it just becomes theater.
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All of my surroundings influence my songwriting. It's autobiographical, although I leave enough space so it's relatable.
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I think 'She Drives Me Crazy' is hilarious and good.
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I find that I get nervous before I play. Even sound checks can give me anxiety and screw with my mind. But as long as I can play a little acoustic guitar backstage if I'm feeling nervous, so I don't have to walk in there cold turkey, I'll be fine.
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There comes a time when you've toured a ton, and a time to be inspired again. Listen to awesome jazz records that are mellow with no words, and just sit there and read a book, or space out on your couch. And eventually, all that inspiration comes.
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It's gotta feel natural. I'm always into that, and after awhile, if I am working on a song too long and trying to make something out of it that it's not... it's best just to stop and move on.
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I always sort of liked Mesa/Boogies, but I wasn't sure if they were cool or not cool.
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When I leave a recording session, there is usually a lot of paranoia or superstition on my part, like I'm afraid to hear what we've done.
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Life is so beautiful, but there are all these scary things you can't deny.
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I'm not cynical, but the reality is that life is mortal. Terrible, sad things happen. Everybody loses friends and family. I'll be on tour and get really scared if my wife won't answer her phone within one minute. I'm sensitive.
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I get to come home to my family. It's awesome, just constant adventure, never a dull moment. So much life.
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I've always been a deep sleeper; because I come from such a large family - there are 10 kids - I could sleep through anything. Even with my last day job, I'd sleep in later and later and start coming in an hour-and-a-half late. I got fired twice before I really got fired.
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When I was 20, I moved up to Boston with my girlfriend, who's now my wife. She went to grad school, and I met a bunch of cool friends there.
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Around '93, the radio started playing 'Loser' by Beck and 'Cut Your Hair' by Pavement, and then I got way into Pavement. That was kind of a gateway drug into indie rock. I got all their B-sides, and I got that 'Hey Drag City' comp, so I got into all those Drag City bands.
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I've got an amazing family. My wife is really smart. She's guided me the whole way. With children, you see them grow up, so it's like you're forever young. They are totally innocent and so unjaded. Watching them grow up makes you go through it again yourself.
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No offense to Boston, but I was glad to get out of there. I think it's just because I'm from Philly. Honestly, the blue collar side of each are pretty similar in ways, but something about the makeup of your brain, Philly versus Boston. It's a lot different, in weird ways.
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I really like Cold Cave.
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If I had known I'd be on Matador back then in my childhood, it would have blown my mind.
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I actually often write about writing music and being in that zone.
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I like to laugh at dark things.
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On one level, we're on Matador, but our amps still might explode on stage, or they'll be an echo in the mic. It's like climbing a ladder. I like to climb it really slowly. I could probably get really professional right away, but I like to take baby steps and find my own way.
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I like New York. I like Philly. I like San Fran. I like when people are stoked. But Chicago's a real music town, and they're really good to us there. There's just something in the air there; people are just really stoked about music. Every time I go there, I have a great time, and the fandom is really heartwarming.