Kurt Sutter Quotes
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The stuff that I learned on 'Sons,' the education of how to tell stories, was part of that mythology. It's hard to look at it and go, 'Oh, if I knew this, I would have done it this way,' because the fact is I like to think that all that sort of unraveled as it was supposed to.
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I'm way too hypersensitive.
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Here's the deal with 'Bastard.' I loved that show, and for me, it was such a palate cleanser, going from writing urban vernacular and crime to, essentially, iambic pentameter. I loved the mythology of that world based on history, but what it came down to was money.
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Actors always feel more comfortable when there's an actor directing, in terms of vocabulary and breaking down a scene.
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The whole Twitter phenomenon is really indicative of what's happening in this country. And I say this in condemnation of myself as much as anyone else - we are growing into a nation that has no time, desire or capacity for truth. All we can handle is 140 characters of knowledge.
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I'm a guy desperately in need of buffers. I have big feelings, big reactions, big emotions. All the things that serve me as an artist, but challenge me as a socially-responsible human being.
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I knew from being on 'The Shield,' and having some experience in the financials of all of it, that after seven seasons, the production model changes and reverts back. It becomes a much more expensive show to do, and perhaps the economic feasibility of it somewhat goes away.
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Unlike fiction, which you create before you go into production, with reality you kind of create it after everything is produced. The drama and the storytelling is really done in post.
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My dad was disappointed in me because I was obese, and he was a sports guy. As a result, I spent a lot of time in that basement. I could go down there and escape and be whatever I wanted to be. I had a huge fantasy life. It always involved vengeance.
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If there's any secret to my success, it's that I just hire people who are smarter and more talented than I am.
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I'm a guy who has problems with moderation. All or nothing. Binge and purge. Kill or be killed. Gray is not a color I wear well. I should be dead. I know that. I should not be successful. I know that too. My daily existence is a toss of the coin - one side, fear, the other side, gratitude.
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The lazy blogosphere has given up on journalism and now trolls Twitter for their on-the-record in-depth articles.
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I'm not, like, a gregarious guy. I don't walk into a room and want to engage people. I'm just not wired that way. One on one, I'm fine.
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For me, money is about respect, and that is really important to me.
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I am a pile of reworked flaws weaved into a semi-functioning man.
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I know the book on me is I'm bombastic and over-the-top, but I think people who know me know that's a part of who I am, but it's not who I am.
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Never in the history of 'The Shield' was the word 'LAPD' ever mentioned. We would mention districts, like Wilshire and Hollenbeck and Marina, but Farmington was a fictitious district, and we never actually uttered the word 'LAPD.' So that was sort of the deal we made with them.
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I'm drawn to the classic antihero, the guy who's probably made a bunch of mistakes and really has the capacity to go either way. That's the most interesting type of character for me to watch, to see what decisions they'll make. There's a lot of gray area there for a writer to explore.
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I've learned in most areas of my life, to bounce heated choices off other people. Co-workers, my agent, my wife, a sponsor, etc. A majority of the time, that keeps me on the right side of things.
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All the people who follow me on Twitter know my sense of humor. I sometimes forget the blogosphere will give it more weight than I intended.