Kurt Sutter Quotes
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'Sons' was about working class white guys. And even though I didn't grow up in a motorcycle club, I grew up in a working-class, white-guy neighborhood.
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The trap in Hamlet is he's the most passive of Shakespeare's characters. He's not a Richard III, not out there taking a lot of action. It's a lot of asides and soliloquies where he's wrapped in angst, and that's not a very interesting character.
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Never in the history of 'The Shield' was the word 'LAPD' ever mentioned. We would mention districts, like Wilshire and Hollenbeck and Marina, but Farmington was a fictitious district, and we never actually uttered the word 'LAPD.' So that was sort of the deal we made with them.
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You have to be driven by something greater than you, where you don't surrender, and you commit to something like that.
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Actors always feel more comfortable when there's an actor directing, in terms of vocabulary and breaking down a scene.
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Here's the deal with 'Bastard.' I loved that show, and for me, it was such a palate cleanser, going from writing urban vernacular and crime to, essentially, iambic pentameter. I loved the mythology of that world based on history, but what it came down to was money.
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I don't think or write from big ideals.
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I am a pile of reworked flaws weaved into a semi-functioning man.
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What I learned in 'Sons' is that I would come in with a blueprint of a season and how it would go, and I realized that the looser my grip was, the better it became because the story found itself. Things happened as I wanted them to in terms of the bigger mile markers, but the fun part was I never knew how we would get there.
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For me, money is about respect, and that is really important to me.
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I know the book on me is I'm bombastic and over-the-top, but I think people who know me know that's a part of who I am, but it's not who I am.
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I'm a guy who has problems with moderation. All or nothing. Binge and purge. Kill or be killed. Gray is not a color I wear well. I should be dead. I know that. I should not be successful. I know that too. My daily existence is a toss of the coin - one side, fear, the other side, gratitude.
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My dad was disappointed in me because I was obese, and he was a sports guy. As a result, I spent a lot of time in that basement. I could go down there and escape and be whatever I wanted to be. I had a huge fantasy life. It always involved vengeance.
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The whole Twitter phenomenon is really indicative of what's happening in this country. And I say this in condemnation of myself as much as anyone else - we are growing into a nation that has no time, desire or capacity for truth. All we can handle is 140 characters of knowledge.
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The lazy blogosphere has given up on journalism and now trolls Twitter for their on-the-record in-depth articles.
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If there's any secret to my success, it's that I just hire people who are smarter and more talented than I am.
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I knew from being on 'The Shield,' and having some experience in the financials of all of it, that after seven seasons, the production model changes and reverts back. It becomes a much more expensive show to do, and perhaps the economic feasibility of it somewhat goes away.
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I've learned in most areas of my life, to bounce heated choices off other people. Co-workers, my agent, my wife, a sponsor, etc. A majority of the time, that keeps me on the right side of things.
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I don't read a lot of fiction, but one of my favorite authors is William Kennedy; his books, to me, almost read like historical dramas because the mythologies are so detailed as he wove fiction with the factual history of Albany.
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I'm drawn to the classic antihero, the guy who's probably made a bunch of mistakes and really has the capacity to go either way. That's the most interesting type of character for me to watch, to see what decisions they'll make. There's a lot of gray area there for a writer to explore.