Kurt Sutter Quotes
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'Sons' was about working class white guys. And even though I didn't grow up in a motorcycle club, I grew up in a working-class, white-guy neighborhood.
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Actors always feel more comfortable when there's an actor directing, in terms of vocabulary and breaking down a scene.
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The trap in Hamlet is he's the most passive of Shakespeare's characters. He's not a Richard III, not out there taking a lot of action. It's a lot of asides and soliloquies where he's wrapped in angst, and that's not a very interesting character.
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You have to be driven by something greater than you, where you don't surrender, and you commit to something like that.
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Unlike fiction, which you create before you go into production, with reality you kind of create it after everything is produced. The drama and the storytelling is really done in post.
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Here's the deal with 'Bastard.' I loved that show, and for me, it was such a palate cleanser, going from writing urban vernacular and crime to, essentially, iambic pentameter. I loved the mythology of that world based on history, but what it came down to was money.
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I don't think or write from big ideals.
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What I learned in 'Sons' is that I would come in with a blueprint of a season and how it would go, and I realized that the looser my grip was, the better it became because the story found itself. Things happened as I wanted them to in terms of the bigger mile markers, but the fun part was I never knew how we would get there.
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For me, money is about respect, and that is really important to me.
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The whole Twitter phenomenon is really indicative of what's happening in this country. And I say this in condemnation of myself as much as anyone else - we are growing into a nation that has no time, desire or capacity for truth. All we can handle is 140 characters of knowledge.
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If there's any secret to my success, it's that I just hire people who are smarter and more talented than I am.
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I'm a guy who has problems with moderation. All or nothing. Binge and purge. Kill or be killed. Gray is not a color I wear well. I should be dead. I know that. I should not be successful. I know that too. My daily existence is a toss of the coin - one side, fear, the other side, gratitude.
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My dad was disappointed in me because I was obese, and he was a sports guy. As a result, I spent a lot of time in that basement. I could go down there and escape and be whatever I wanted to be. I had a huge fantasy life. It always involved vengeance.
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The lazy blogosphere has given up on journalism and now trolls Twitter for their on-the-record in-depth articles.
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I've learned in most areas of my life, to bounce heated choices off other people. Co-workers, my agent, my wife, a sponsor, etc. A majority of the time, that keeps me on the right side of things.
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I knew from being on 'The Shield,' and having some experience in the financials of all of it, that after seven seasons, the production model changes and reverts back. It becomes a much more expensive show to do, and perhaps the economic feasibility of it somewhat goes away.
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I am a pile of reworked flaws weaved into a semi-functioning man.
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I don't read a lot of fiction, but one of my favorite authors is William Kennedy; his books, to me, almost read like historical dramas because the mythologies are so detailed as he wove fiction with the factual history of Albany.
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I know the book on me is I'm bombastic and over-the-top, but I think people who know me know that's a part of who I am, but it's not who I am.
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I'm drawn to the classic antihero, the guy who's probably made a bunch of mistakes and really has the capacity to go either way. That's the most interesting type of character for me to watch, to see what decisions they'll make. There's a lot of gray area there for a writer to explore.