Bill Parcells Quotes
Look, coaching is about human interaction and trying to know your players. Any coach would tell you that. I'm no different.
Quotes to Explore
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I enjoy all kinds of performances and take each role differently. I keep the audiences in mind.
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I never thought that I would become a staple in the Australian cultural diet. The equivalent of bread or milk, or a fine old Tasmanian Mauve Vein. I think it's because I talk about things that people dare not mention. I don't mean raunchy things or unsavoury things. I call a spade a spade - I discuss things in a realistic manner.
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I tested for a couple of pilots, but they said I was too tall.
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I like to do the splits onstage.
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There were a couple of things I needed to do while I was in New York. One was to have a pizza pie, one was to get a tattoo... and the other was to get a Yankees hat.
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I don't give up on commitments until what I've been asked to do is clearly finished.
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I think what human beings need is to be able to laugh at the absurd, hold on to ambiguity, and learn to love nuance, instead of making everything one or the other, and structurally, so much of the Internet and online publishing doesn't have room for any of that.
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Scoring the first 10 in history was a big deal, but the fact that even an electronic scoreboard could not figure out how to put out a score, it made the story more historic.
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Oakland kids are always the best.
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I'm an artist at heart.
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Any story hits you harder if the person delivering it doesn't sound like some news robot but in fact sounds like a real person having the reactions a real person would.
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With 'Mad Men,' people who grew up or were living in that time, they love to talk about what it was really like.
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When I was younger, I was insecure for about 10 years: I wore glasses, had a cow's lick, buck teeth and braces. I looked ridiculous.
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I'm in hotel rooms most of the time, and it can be hard to find a hotel with a nice gym. It was important for me to have a workout I could do in my room.
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I'm obviously really opinionated, but as a producer, you don't necessarily want the person you're working with to try to impress you - you want them to just be themselves. Then you can edit or mess around with what they've come up with. But you have to allow the artist that space.
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Everyone has a purpose in life and a unique talent to give to others. And when we blend this unique talent with service to others, we experience the ecstasy and exultation of own spirit, which is the ultimate goal of all goals.
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One thing I've done is surround myself with people who are as good as me or better.
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I use Graf Edmonton for boots and John Wilson blades.
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I try to hit all the places Guy Fieri visits in every city I go to. It's, like, something a 60-year-old would do.
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Reality is never more than a first step towards an unknown on the road to which one can never progress very far.
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I think there's something in collaboration - the fact that you can sit there and bounce ideas off of someone. It definitely matters who the person is, because certain people... The act of collaboration, where you can talk to someone, hang out, get ideas going, there is something in that. That's similar between everyone. But I think every individual collaborator is different, because they have different brains and emotions and ways of working, so it changes. Definitely.
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I don't know how people box for a living. I don't know how they can just hurt people for a living and be OK with it.
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I'm phobic about the idea of being constrained.
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Look, coaching is about human interaction and trying to know your players. Any coach would tell you that. I'm no different.
