Kurt Braunohler Quotes
Everyone wants something that'll appeal to, like, 13-year-olds to 18-year-olds. Especially working in television and trying to pitch shows, they're like, 'We definitely want something that a 14-year-old will be, like, super-psyched about.' And I'm like, 'I don't know if my reality is appealing to a 14-year-old.'
Quotes to Explore
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When I started out, there was so much work that I couldn't think of doing anything else. I would go for recordings by 8.30 A.M., that, too, in trains. I used to come home at night. I was travelling alone everywhere.
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My mom is just so good with fashion! She always tells me what looks good, what doesn't look good, and she gives me great advice.
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I am not a prisoner of conscious, but people try to make me one sometimes. It is both a gift and a curse. It's a high honour but can create limitations - I have to be fluid.
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I am not going to share my private life with millions of people. I don't find a need to do that and nobody else close to me does either.
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That's the mark of a great storyteller, never to give away secrets in advance.
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Librarians have always stood up for writers and readers in every kind of community across this country.
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There are people who are very resourceful, at being remorseful, and who apparently feel that the best way to make friends is to do something terrible and then make amends.
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I hate to tell you this, but there's an entire subset of people out there who think of me as quite a dull actor. And that's the word used, and often – dull.
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American business at this point is really about developing an idea, making it profitable, selling it while it's profitable and then getting out or diversifying. It's just about sucking everything up.
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I'm very happy to co-produce a film like 'Srimanthudu.'
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When I was really little, I listened to Dolly Parton, Loretta Lynn, Barbara Mandrel, Crystal Gayle, Kenny Rogers, Willie Nelson, and Patsy Cline.
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Telly never has any smart, amusing intellectuals living on a council estate.
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This world is too hard for me to leave my kids, without me supervising and being there for them.
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Animation is tremendously resilient. Animation will recover, as art always recovers. There's always cycles of good art.
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I'm a very lucky girl.
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There is a sufficiency in the world for man's need but not for man's greed.
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I can't say 'I'm proud to say' - because it's not a choice for many Americans - but I can say I'm fortunate enough to not be raising my kids on McDonald's.
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I love to watch old movies when I get time off.
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I am a very private person. I don't like to talk about things till someone asks about them.
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I was not on social media for a really long time because I was afraid of being seen.
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It's okay to be sad if things don't go the way you had hoped.
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The first requisite for success is the ability to apply your physical and mental energies to one problem incessantly without growing weary.
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I learned a lot from Clint [Eastwood], who's an extremely economic director. I learned a lot from Michael Winterbottom, who really gave a lot of trust in the actors and allowed them to live in the space instead of trying to manipulate and make it too set and too staged. Working with [Robert] De Niro taught me a lot of being an actors' director and what that is. I've learned a lot from pretty much everybody. Hopefully I've picked up something from everybody I've worked with.
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Everyone wants something that'll appeal to, like, 13-year-olds to 18-year-olds. Especially working in television and trying to pitch shows, they're like, 'We definitely want something that a 14-year-old will be, like, super-psyched about.' And I'm like, 'I don't know if my reality is appealing to a 14-year-old.'
