Kristian Nairn Quotes
I'm aware of the subgenres and why they exist. But I don't feel like I have to limit myself. I don't feel like I just have to play deep house, just play tribal house, just play progressive house. I wouldn't feel right if I had to limit myself.
Quotes to Explore
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My comrades would call me a 'black capitalist.'
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I went from living in the Dominican Republic - every day, my mom and I would cook, or we'd go hang out with the kids - to flying a private jet to Chicago with Zac Efron and Dennis Quaid. People had champagne, and they were going to these amazing restaurants. It was a culture shock. It's important, I think, to have that. To see both sides.
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It is more noble to give yourself completely to one individual than to labor diligently for the salvation of the masses.
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Like success, failure is many things to many people. With Positive Mental Attitude, failure is a learning experience, a rung on the ladder, a plateau at which to get your thoughts in order and prepare to try again.
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I am glad that I paid so little attention to good advice; had I abided by it I might have been saved from some of my most valuable mistakes.
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El Salvador is a democracy so it's not surprising that there are many voices to be heard here. Yet in my conversations with Salvadorans... I have heard a single voice.
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It's never been seen that a street artist go as far as I've gone - keep consistent without wanting to do a bunch of ventures outside of music to keep my face out there.
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One of the goals of the Feminist Elite is to reinforce to women the idea that men are obsolete.
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I recognize myself to be an intensely naive person. Most novelists are, despite frequent pretensions to deep socio-political insight.
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Brick-and-mortar at the end of the day matters because viral is great, but it comes and goes as fast.
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I keep setting the bar higher for myself in terms of what I'm trying to accomplish.
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You don't have to have a great voice to sing, just a distinctive one. But make sure you say the words clearly and tell a story.
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Writing is a very intimate thing, especially when you write lyrics and sing them in front of someone for the first time. It's like a really embarrassing situation. To me, singing is almost like crying, and you have to really know someone before you can start crying in front of them.
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In the early part of the '60s I was influenced by the Ventures.
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I'm not going to be lectured by Nathan Deal, who is a former Clinton Democrat. I will stack up my conservative credentials against his any day of the week.
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There are other writers who try for subtle and minimalists effects, but I don't travel in that tribe.
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Playing a character for four years, in people's minds, that's who you are.
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The Chinese are brought up to believe that you should be silent in class. The teacher speaks, and you just listen and absorb what they say.
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I was about 14 when I started with a theater group; it was like a stage group on the weekends alongside school. And it was run by a group of guys who'd been to drama school themselves in London. So they introduced us to techniques that they'd learn about, and they kind of informed us about improvisation and screenwriting and all of that stuff.
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In 'The Serpent's Egg,' I created a Berlin which no one recognized, not even I.
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It's always hard to deal with injuries mentally, but I like to think about it as a new beginning. I can't change what happened, so the focus needs to go toward healing and coming back stronger than before.
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Normally, the thin-skinned have an endless array of excuses for why their workaday interactions are so much harder to bear for them than for the rest of us. In the eyes of the self-suffering, they are being victimised, used and always abused, when they're actually experiencing exactly the same body blows as the rest of us.
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I'm aware of the subgenres and why they exist. But I don't feel like I have to limit myself. I don't feel like I just have to play deep house, just play tribal house, just play progressive house. I wouldn't feel right if I had to limit myself.
