Marlee Matlin Quotes
By the time I was a teenager, my desire to be daring and taste everything got me in trouble. Too often, I was in the company of kids my parents would call 'wild.'
Quotes to Explore
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I think that we are all much closer to our childhood selves than we often think, so when we read about childhood, it can surprise us how immediate or moving it is, when perhaps those feelings are just there, waiting to be accessed all the time.
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Appropriate assessments are a crucial part of effectively educating students. But they only measure a narrow segment of what kids need to learn.
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It's a hard thing to imagine how somebody copes with grief and at the same time has to build a new life.
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My kids like their eggs with catsup. I like mine with salsa.
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I actually spend very little time listening to any new music.
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There's nothing like a music festival. People are ready to have a good time. I don't think anyone comes to a festival going, 'I'm gonna be a complete bummer today.'
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That's the most important thing you do in your life - raise children and try to do the best job as a parent and give your kids the best shot in life to go out there into the big, bad world.
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Stranger, if you passing meet me and desire to speak to me, why should you not speak to me? And why should I not speak to you?
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I am not ashamed of anything - not my past, not my affairs, not my body, and most definitely not my desire.
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Red Dust was about the late 1980s; it was a time of burgeoning hopes and opening up and people searching for new ways.
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I grew up with the one of the most famous fathers in the world in the 1960s and '70s. He passed away in 1984, and as time went on, people didn't know him. That blew me away.
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I loved living and breathing theatre so much that I decided I had to find a way to bring my desire to act and my ability to support myself together. I'd run through the possibilities in Washington, so that meant moving to New York.
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I live in Canada in the summer and some time in the fall.
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In school I was in the dark room all the time, and I've always collected stray photographs; there's a great deal of memory in them.
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One of the biggest mistakes a photographer can make is to look at the real world and cling to the vain hope that next time his film will somehow bear a closer resemblance to it.
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If only I could step back into the time of old movies, if only I could be given the opportunity to do what Katharine Hepburn did or what Rosalind Russell did. Those kinds of characters, that kind of patter, that kind of language, that kind of script. They don't exist any more.
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My kids don't go back and forth; none of this 50/50 time with the mums and dads. My children live with me; that is it.
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I've always felt that my life's been at the right place at the right time; I feel like there's been some really dull moments, really high moments, really low moments, but it's always felt like everything's moved in the right direction; it always feels great, and everything feels right.
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I know how to put it into a melody and make it comical but sexual at the same time.
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A billion could live off the earth; 6 billion living as we do is far too many, and you run out of planet in no time.
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You are the sum total of everything you've ever seen, heard, eaten, smelled, been told, forgot - it's all there. Everything influences each of us, and because of that I try to make sure that my experiences are positive.
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Our children need to be able to see us take a stand for a value and against injustices, be those values and injustices in the family room, the boardroom, the classroom, or on the city streets.
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By the time I was a teenager, my desire to be daring and taste everything got me in trouble. Too often, I was in the company of kids my parents would call 'wild.'
