Bill Pullman Quotes
I love that vein which uses sci-fi to address society's problems. It is the same when you have useful nightmares - things morph, and you get to confront issues in your dreams.
Quotes to Explore
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Editorial photography has to be energetic and visually competitive.
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I'm a pretty girl who's a model who doesn't suck as an actress.
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Being a 911 operator means balancing seemingly contradictory skills. On one hand, operators have to be fanatically precise and well-organized. On the other, they must be able to establish rapport with panicky callers.
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A month alone would make me so happy. Not good for my dating prospects.
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If I was a bajillionaire, I would spend a lot of time at Barneys just buying all kinds of great things all the time. I would have so many black cashmeres it would be out of control. I like the way nice things feel very much.
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Even with my wife, I find sharing soup is hard.
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We make assumptions: nurses should be nice, teachers should be good. But everyone has a dark side, some darker than others.
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I think I would have a better time writing films rather than directing.
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I was handed a chocolate bar and an M-1 rifle and told to go kill Hitler.
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I started growing my audience in small clubs through word-of-mouth. I started making music that isn't necessarily commercially viable, and it's not necessarily marketable to my peers to a certain extent.
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I came of age as a male lead actor just as the TV landscape dramatically shifted.
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In my state, over 17,000 households are going hungry on a regular basis.
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I've always been taught that hard work doesn't fail.
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I've always been interested in strange foods, coming from all different places.
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During the long process of history, by relying on our own diligence, courage and wisdom, Chinese people have opened up a good and beautiful home where all ethnic groups live in harmony and fostered an excellent culture that never fades.
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Very old fashioned to say that they will be well behaved but I think it's very important.
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As a kid, I always liked reading stories where I had a power-projection fantasy. I wanted to be inside of a story where I had power and influence, was going to rise to power, was going to somehow influence my society.
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My father thought sport was something fun - he didn't know it was a way to make money. Then I won a Mercedes at the world championships and I gave it to him. From the moment it arrived my father said: 'Good, you can support not just yourself but me too'.
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I put those people in place. I trusted them. I had no idea they would do anything like this.
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I walk through rooms of the dead, streets of the dead, cities of the dead: men without eyes, men without voices; men with manufactured feelings and standard reactions; men with newspaper brains, television souls and high school ideals.
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The consensus is that no more than five to ten people in a hundred who die by gunfire in Los Angeles are any loss to society. These people fight small wars amongst themselves. It would seem a valid social service to keep them well-supplied with ammunition.
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When I wrote 'The Giver,' it contained no so-called 'bad words.' It was set, after all, in a mythical, futuristic, and Utopian society. Not only was there no poverty, divorce, racism, sexism, pollution, or violence in the world of 'The Giver'; there was also careful attention paid to language: to its fluency, precision, and power.
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'Gathering Blue' was a separate book. I wanted to explore what a society might become after a catastrophic world event. Only at the end did I realize I could make it connect to 'The Giver.'
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I love that vein which uses sci-fi to address society's problems. It is the same when you have useful nightmares - things morph, and you get to confront issues in your dreams.
