David Lloyd George Quotes
It is not too much to say that when the Great War broke out our Generals had the most important lessons of their art to learn. Before they began they had much to unlearn. Their brains were cluttered with useless lumber, packed in every niche and corner.
Quotes to Explore
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In the first instance, therefore, global terrorism created a kind of global community sharing a common fate, something we had previously considered impossible.
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You must not fight too often with one enemy, or you will teach him all your art of war.
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The Haitian people are gentle and lovable except for their enormous and unconscious cruelty.
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Women's inclusion in the economy is one of the most important issues in Israel.
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If there is a single quality that is shared by all great men, it is vanity.
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It's great, I guess, when your paintings are hanging up in a museum.
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One of the most important reasons for living is to do something - live outside of yourself and put together an idea, an idea that you want to explore and then complete... Awaken your creative sensitivities!
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A complainer is like a Death Eater because there's a suction of negative energy. You can catch a great attitude from great people.
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Read over your compositions, and when you meet a passage which you think is particularly fine, strike it out.
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Art is like breathing for me. If I don't do it, I start to choke.
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Acting and making art is just something I love to do, and I love to tell stories that feel important, honest and necessary.
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Before the Civil War, the Negro was certainly as efficient a workman as the raw immigrant from Ireland or Germany. But, whereas the Irishmen found economic opportunity wide and daily growing wider, the Negro found public opinion determined to 'keep him in his place.'
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I take so much pleasure at seeing customers who are happy: happy with what they eat, but happy with their friends and sharing a great moment together, and I think that is more important in life than the endless pursuit of perfection.
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Little progress can be made by merely attempting to repress what is evil. Our great hope lies in developing what is good.
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The two great aims of industrialism - replacement of people by technology and concentration of wealth into the hands of a small plutocracy - seem close to fulfillment.
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I don't believe that competitions are important.
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I'm a big fan of a great glass of red wine and a delicious bowl of pasta made from scratch.
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It's very hard to find perfection in your life. But in the art world you can do that.
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My absolute favorite thing about working on 'Liv and Maddie' is my cast and crew. The people that I spend almost every hour of every day with. Your cast has great influence over the quality of your life, and I've been blessed with not just a cast, but a family.
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It's becoming clearer and clearer to me that the world is there to be celebrated by writers, and in fact this is what all the good ones do, and that the great fashion for gloom and grimness was in fact a false path that certain writers took, I think in response to the horrors of the first half of the twentieth century.
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Once more I am the silent one who came out of the distance wrapped in cold rain and bells: I owe to earth's pure death the will to sprout.
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To really know life you've got to be part of life. You must get down and look, you must get into the nooks and crannies of existence. You have to rub elbows with all kinds and types of men before you can finally establish what he is.
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But I still couldn't quite believe in personal life after death. I preferred to think of our psychic experiences as emphasizing, instead, the unknown abilities of our present consciousness. 'The Seth material could be coming from some deep inner source, an intuitive bank of inner knowledge available to everyone if they only look for it,' I said.
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It is not too much to say that when the Great War broke out our Generals had the most important lessons of their art to learn. Before they began they had much to unlearn. Their brains were cluttered with useless lumber, packed in every niche and corner.
