David Means Quotes
I'm not sure if a writer should talk about themes. Themes arrive out of the deeper structure and concerns, but to me, the main thing is getting it down right, writing about specific characters in specific predicaments, and finding a way to be true to the story itself, not only in the first burst of draft but in the revision, too.

Quotes to Explore
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Twenty years ago my parents wouldn't know who the X-Men were, and now everybody knows that stuff. It means that deconstruction of the superhero is something you can do. All those movies have led to a point where we can finally have 'Watchmen' with a Superman character who doesn't want to save the world and a Batman who has trouble in bed.
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I'm great at a deathbed. I've never given tranquillisers or psychiatric medicine. I've given love and fun and creativity and passion and hope, and these things ease suffering.
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I feel like my story would've been different had I had a chance to play with Bron when I was 18. I've thought about it countless times.
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Consciousness is indeed always with us. Everyone knows 'I am!' No one can deny his own being.
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The average Indian doesn't care about Hollywood movies because they have far too many movies of their own to watch, to miss, and I hope a story like 'Million Dollar Arm,' that is actually about India and deals with these two Indian kids, resonates over there and makes people want to go and see the movie.
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I've been watching 'The Cosby Show' and 'Roseanne' a lot right now, and those work so well because they're not, like, jokey comedies; they are coming from real characters. We want our show to be like that. A family show.
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My job isn't to preach to people, it's to entertain them. I like letting the characters speak for themselves.
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That's really my goal now. I'm trying to be a positive role model to my kids and to just enjoy this ride, because it's hard. It's hard to enjoy it when you're in it.
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Hillary Clinton almost got to be president. The reasons why she didn't become president had to do with bad judgments about how to handle the early caucus states, which is not a gender-specific trait.
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I've used a cellphone exactly twice. Things move on. The world changes. And I don't know it.
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The vegetable life does not content itself with casting from the flower or the tree a single seed, but it fills the air and earth with a prodigality of seeds, that, if thousands perish, thousands may plant themselves, that hundreds may come up, that tens may live to maturity; that, at least one may replace the parent.
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China - if you think about what is the character of China, it's enormous scale. It's bigness.
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I enrolled in an acting workshop and my first acting role was on the TV soap opera 'Melrose Place.'
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I am not interested in producing fiction for Indian television at all, the reason being that I don't understand the medium. I can be a judge or a host; I can do that as an individual. But to produce TV content, you have to know the game.
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Nothing in this world can take the place of persistence. Talent will not: nothing is more common than unsuccessful men with talent. Genius will not; unrewarded genius is almost a proverb. Education will not: the world is full of educated derelicts. Persistence and determination alone are omnipotent.
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Capitalist systems function less well without state protection of investors, lenders, and companies against monopoly, deception, and fraud.
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Give the peasants neither life nor death.
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The value of an arts education is widely accepted, especially in California.
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There's a powerful tendency to overcomplicate the whole notion of leadership.
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Fundamentally, all art is about human beings. You're always showing larger moral questions through the smaller moral, philosophical, or political choices through one character in the book.
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I'm not getting paid right now. No pay, no critique.
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I'm not sure if a writer should talk about themes. Themes arrive out of the deeper structure and concerns, but to me, the main thing is getting it down right, writing about specific characters in specific predicaments, and finding a way to be true to the story itself, not only in the first burst of draft but in the revision, too.