David Morse Quotes
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Big Foster is a guy who was in line to be the head of this clan that's been up in the mountains for 200 years, because his father was the leader or the Bren'in, his mother is now Bren'in, and they're kind of royalty, so he was in line to be next. He'd been promised it from a young age, but it just hasn't happened.
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I was involved with some great things in television that I could never have done in film.
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I was a teenager and it was tough years for me. Being able to bring myself into a character and live in somebody else's world was so important for me emotionally. I couldn't express things well in my normal life. I was so overwhelmed by my emotions.
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I'm a very private person.
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I've tried to let the work I do speak.
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I had almost no money, but with the little bit I had, I got a ticket to see 'That Championship Season' at the Booth theater.
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I will be always grateful to NBC.
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I've always tried to not let movie, television or theatre be all that my life is about. I've always tried to get involved in the community or my family now I have kids.
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Just in terms of when I got the script, the character I probably liked the least was Big Foster. Because even though he was central to the story and to that world, he was really written to be kind of a brute, a pig, a completely black-and-white bad guy.
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My first summer at a repertory theater, I was making $20 a week. I was making a living, as far as I was concerned, and I was doing theater. And next season, I made $40 a week. But I don't think anyone in my family would have considered that making a living.
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I had the great good fortune of working with Christopher Plummer, Frances Sternhagen, and Arthur Hill early in my career, and it set a standard for the kind of work I want to do.
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To this day, that's what I love the most: finding and playing characters who are out of my experience.
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In high school, I tried out for every sport there was. But none of them would have me. When I was a freshman, someone asked me to go audition for a play with them. I got in and didn't want to do anything else for the next four years.
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One year, I went to Cannes with the film 'The Indian Runner' that Sean Penn directed. Everyone else in the film was all the same height, and on the red carpet, when they were taking photos, none of them would stand next to me, and I totally got it.
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I was getting to the point where I said to my wife, 'I don't think I'll ever be in New York in a play again.'
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In independent film you tend to have stories that involve more of a community, and the smaller characters are important to the story.
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I don't like talking about myself. I'm not really interested in myself. One of the good things about being a supporting actor is that you get to talk about other people.
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At 17, I became a member of the Boston Repertory Theatre. I had an opportunity pretty quickly and performed with the theater for six years.
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Because I'd only done theater, that's really what I thought most of my life would be. I always figured that movies would be a part of it at some point. I didn't know how or when.
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'Outsiders,' I guess, is sort of dark, but I don't really think of it as dark. The world up there on that mountain, it had the potential to have a lot of fun as well as a lot of drama, these guys raiding the town in their ATVs with their tattoos. It seemed like something different.
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I try to do things I haven't been able to before.
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I've had the chance to work with Christopher Plummer, one of the great stage and film actors, a couple of times, including on 'Prototype,' the first TV movie I ever did. It was science fiction in the Ray Bradbury sense, written by the famous team who created Columbo, Levinson, and Link.
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I want to talk about my very first play, when I was in eighth grade. One day, my English teacher, Mrs. Baker, announced that we were going to read 'On Borrowed Time' out loud in class. I was a mediocre student; I was terrified that she was going to call on me, so I hid my head.
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Everything is interesting to me.