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You know, you have Scorsese who worked with De Niro and - or DiCaprio. You have William Wyler who worked with Bette Davis. You have George Cukor who worked with Katharine Hepburn. I just - people get to be friends and then there's a - that's a - you can take risks together and each time out you take a different risk.
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I think film was my passion without it being declared like a job that I could have, or a career that I could have.
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David O. Russell's best films are thrilling high wire acts that run the moment to moment risk of tumbling to the ground. In his latest, "Joy," Russell has more trouble than usual keeping his balance on the wire.
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Every day, when my feet hit the ground, I have a story that I'm telling myself that I choose to make a positive story. I know people who don't do that, and there's a heavy energy around them. So I guess there's that kind of hustling.
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There's nothing better than having a collaborator that you have a great shorthand with and a great comfort with who's shepherding the project along. I mean, that's the best thing that can happen in cinema where there's many cooks in the kitchen.