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'The Fighter' was about a family struggling to overcome and fighting each other sometimes, and I went back and rewrote this script which I had written for my son initially because my son has mood disorder.
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Every day, when my feet hit the ground, I have a story that I'm telling myself that I choose to make a positive story. I know people who don't do that, and there's a heavy energy around them. So I guess there's that kind of hustling.
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You know, you have Scorsese who worked with De Niro and - or DiCaprio. You have William Wyler who worked with Bette Davis. You have George Cukor who worked with Katharine Hepburn. I just - people get to be friends and then there's a - that's a - you can take risks together and each time out you take a different risk.
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There's nothing better than having a collaborator that you have a great shorthand with and a great comfort with who's shepherding the project along. I mean, that's the best thing that can happen in cinema where there's many cooks in the kitchen.
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David O. Russell's best films are thrilling high wire acts that run the moment to moment risk of tumbling to the ground. In his latest, "Joy," Russell has more trouble than usual keeping his balance on the wire.