David Oyelowo Quotes
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Although I am a Christian, with what religion has become - a tool for so much of the bad stuff - I just say to people that I'm a person of faith.
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It's because films like 'Selma' are so rarely made that we end up putting them under the microscope. One, maybe two, a year. As a white person, you don't have that. You have the gamut. No one says to Oliver Stone, 'Another film about Vietnam? White characters again?'
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I am a father, I am very aware of the things that I'm putting out in the world knowing that one day my children will watch the work that I've done. I want to be able to stand by it.
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One of the things I have an allergic reaction to playing, especially as a black actor, is the mandatory kind of best friend/cop/detective type. You will never see me in that movie.
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Asher means 'happy and blessed' which embodies my eldest. Caleb means 'stubborn and tenacious dog' and I can't even tell you how much that is my little boy! It was a useful warning.
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The only way I get a leading role in a studio picture is if Ryan Gosling can't play it, which is clearly the case with 'Selma.' If this was a non-colour-specific character, it wouldn't be me. It just wouldn't.
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We've had so many faith-based movies that I think are sub-par; I almost want a new phrase for them.
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Love is sacrifice.
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I don't have a tailor, but I do love clothes.
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People in the industry thought it was laughable that I should be going up for things that didn't clearly state what race the part was intended for.
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People always ask me, 'Why so many historical dramas?' Because those are the best roles I get to play, and I get to play heroes in those roles.
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What we usually do to great men and women is relegate them to homogenised heroism. Their words and actions become soundbites and images in a way that gives us an excuse not to act bravely in our own lives.
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I try as much as possible not to utter a single line that I don't believe in.
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Considering that I'm British and I talk the way I do, I love it when a director takes a chance on me.
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We're all, whether we like it or not, gonna have to deal with bereavement at some point in our lives, and it's something I think, as a society, maybe we shy away from.
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If you feel like the beginning of your history is rooted in slavery, that really, I think, messes with your sense of self, your self-esteem, and your self-worth.
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I grew up watching period dramas, as we all did in the 1980s and '90s - endless adaptations of Jane Austen and Charles Dickens - and I loved them. But I never saw anyone like me in them, so I decided to find a story to erode the excuses for me not doing one.
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There are many, many communities, many ethnic minorities, many civilizations that have been brutalised by others and you have to move on. You cannot perpetually stay in that place of blame, otherwise it's just a downward spiral.
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Not every film I do is going to be like 'Selma,' but every film I do can be edifying, can be something that points toward I believe to be true. I'm not one to shy away from darkness in movies as long as there is light.
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I truly think a long career is to keep the audience guessing and not being able to be boxed, and for me, I'm not hell-bent on playing the lead in things as long its an interesting character with phenomenally talented people, and it's a script that I feel is genuinely innovative, creative, and potentially interesting for an audience.
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Excellence is the best weapon against prejudice. I intend to be part of the solution and not the problem. You've just got to keep on banging out good performances.
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I talk to God every day. He's very real for me.
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I've just seen that there is a really amazing perspective that we're missing by not having more women directing.
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There are a lot of challenges I undeniably have faced as a black person both in the U.K. and in the U.S. that contrived to make me feel lesser than what I am.