David Puttnam Quotes
I absolutely refuse to accept the fact that any country in the world goes into a kind of film-making crisis. What happens is they lose confidence, they lose focus and the young film-makers of any particular generation can very easily get lost in that mix. It's happened in Italy, happened in France, happened in the U.K. during my lifetime.

Quotes to Explore
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For me, writing a song, I sit down and the process doesn't really involve me thinking about the demographic of people I'm trying to hit or who I want to be able to relate to the song or what genre of music it falls under.
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I would love to be a role model.
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I don't think there's any formula for what makes great art.
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There is none who cannot teach somebody something, and there is none so excellent but he is excelled.
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From my point of view, I'm a totally normal person! Really! I have a family. I have kids. I have a house... I don't have a dog.
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I love CNN. I love the Cartoon Network. I mean, I thought these things up.
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You either make dust or eat dust.
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I'll promise to go easier on drinking and to get to bed earlier, but not for you, fifty thousand dollars, or two-hundred and fifty thousand dollars will I give up women. They're too much fun.
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I come from a generation that suffered school lessons in portacabins and crumbling hospitals. I tell you one thing, for the eighteen years they were in power the Tories did nothing to fix the roof when the sun was shining.
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You've got a great chance in college to do all sorts of terrible irresponsible things, and you should totally do them. I mean, make huge mistakes. This is the time in your life if you screw up, it's okay because you can bounce back from it.
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I have three brothers, and they'd torture me if I ever told them I liked a boy.
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If you play a real character who's famous and still alive, it makes things easier if you have the luck to have a good relationship with them.
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There's a policy now of opening the doors to the outside world.
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The progress of India is the destiny of one-sixth of humanity. And it will also mean a world more confident of its prosperity and more secure about its future.
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How often do we see a Muslim woman who is intelligent and independent, and has a voice of her own and is career-driven, on American TV?
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Maven is very much a haunting presence in 'Glass Sword.' His influence is everywhere, and he dogs Mare and Cal like no other. He's my favorite character to write because he's so complex, but also because he affects everyone else so deeply. He's kind of like the source of gravity. Everyone moves around him and what he's done.
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The irony is that, coming from a white-collar British background, I tend to play blue-collar Americans!
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I said 'It can't go on' and he said 'No, it can't.' Honestly, I don't think I could have mattered less to him by then. But by then, nothing mattered to him.
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Every time a child's promise is cut short by their legal status, our country wastes precious resources and loses talent we need.
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That's the beauty of the acting world. You can play so many different characters who know and do so many things that you have no idea about as yourself. So I'm a big fan of workshops and classes and learning new things because you can always apply it. It's your little supply bag of creativity. Keep filling it up.
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Anybody who has spent time with the networks - in fact, you don't even have to spend time with the networks, all you have to do is just watch primetime TV - and you think, 'What the hell are they doing? I could run the network better.' And I think everybody feels that way.
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We are going to do 'Hot Tub' until we die. Every Monday. Then we'll come back and do it as zombies. 'Hot Tub' is very important. What we do is based on our live skills. It's stand-up and sketch and improv; everything we do in 'Hot Tub' is important to our jobs. And every Monday I'm excited to do it.
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Call him wise whose actions, words, and steps are all a clear because to a clear why.
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I absolutely refuse to accept the fact that any country in the world goes into a kind of film-making crisis. What happens is they lose confidence, they lose focus and the young film-makers of any particular generation can very easily get lost in that mix. It's happened in Italy, happened in France, happened in the U.K. during my lifetime.