Marsha Sinetar Quotes
Quotes to Explore
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I just got to hear every note. After I left Birdland, I started working at the Jazz Gallery. In the end, I still couldn't play, but I knew how to listen. I was probably the world's best listener.
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I don't know if it's irrational, and I would never say this before, but I think I'm a little bit agoraphobic when I'm in huge crowds of people. I mean, it's claustrophobic, probably – small spaces and large groups of people, anxiety rises for me.
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The cast of 'Lemonade Mouth' was picked so perfectly. A lot of people see us as a band on camera, but not a lot of people know that Lemonade Mouth was a band off-camera, too.
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The current approach that psychiatry takes almost ignores social worlds in which mental health problems arise and tries to become highly biomedical like other branches of medicine such as cardiology or oncology. But psychiatry has to be far more embedded in people's personal and social worlds.
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I don't look at myself as suffering.
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The thing about the Internet is that you can write something... for a very narrow audience and make a living at it.
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I think I have been very lucky as far as my acting career goes.
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We recognize that the arts are an essential part of San Francisco's cultural vitality.
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The girl-next-door image is a sort of joke; for years, I couldn't get any roles other than as somebody dark.
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In a meat-eating world, wearing leather for shoes and clothes and even handbags, the discussion of fur is childish.
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We must master our egoism, and through this mastery, step outside ourselves and educate ourselves in giving. Fasting requires that we rediscover all that is alive around us, and reconcile ourselves with our environment.
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As a culture, we've all agreed with the opinion that the world should be seen in a certain way, so at 'The Nightly Show,' our chief mission was to disagree with that premise. And to see the world in a way that may not make everybody comfortable. And to present it with a cast of people who don't always get to have a voice on that.
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I've never had to fend for a child's life, which sounds very terrifying.
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Each time I free a child, I feel it is something closer to God.
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My generation, we really have to step up to the plate and vote. Tweeting is great - people say, 'Oh, I don't want this or that' - but at the end of the day, tweeting isn't a ballot. Just saying that you don't like someone on Twitter is not going to turn a state blue or red. You have to vote.
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The magic of creation has always fascinated me.
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My last book, 'The Language of Flowers,' I wrote completely on naptime, when my little kids were asleep.
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I'm afraid of the dark, so I have a lot of night-lights.
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The ideas keep going, you have the material, you cut because there's a limit to the space allowed to you. And the space is limited because of some other constraints that have to do with money or printing or whatever.
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I can make more generals, but horses cost money.
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I have always put my own money into Tails of Joy. For years, every time a dog walked by, my husband would say, 'There goes our beach house.'
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More money and more business baby!
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Having spent a number of my younger years with trade-union parents attending NUT annual conferences, I feel comfortable with an agenda in my hand and a procedural format for debate.
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Do what you love and the money will follow.
