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I've often thought even ragtag gatherings of documentary filmmakers are more fun than gatherings of fiction filmmakers.
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As far as the balance between being a journalist, being an artist, being a storyteller - documentary filmmakers are all three of those things. The balance between them is affected by the film itself, the topic of the film.
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If I were writing an article for the newspaper, it would be thesis statement, information, information, supporting arguments. That would be the setup. When I'm making a documentary, the pacing of the film and the way that you sort of switch from character to character - all of those are more about storytelling than straight journalism.
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I feel like a lot of funders of documentaries today want to fund films that have a social message that is going to yield results.
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When you work on something in an edit room with just a couple of other people, you never know how it is going to be received.
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I find often I'm wandering around the park with my kids, and I notice something, and I think, 'Oh, I could come up with a clever Facebook post about that.' It's like, 'Wait a minute - that's not what I should be thinking. I should be present in the moment with my kids.'
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I was surprised to see how much the mainstream environmental movement hates the ELF.