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I've often thought even ragtag gatherings of documentary filmmakers are more fun than gatherings of fiction filmmakers.
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If I were writing an article for the newspaper, it would be thesis statement, information, information, supporting arguments. That would be the setup. When I'm making a documentary, the pacing of the film and the way that you sort of switch from character to character - all of those are more about storytelling than straight journalism.
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I feel like a lot of funders of documentaries today want to fund films that have a social message that is going to yield results.
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When you work on something in an edit room with just a couple of other people, you never know how it is going to be received.
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To me, the best projects are the ones where you have a pretty good idea of what the spine of it's gonna be, but then all sorts of things happen that you could've never predicted, and those are the magic moments of the films.
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I find often I'm wandering around the park with my kids, and I notice something, and I think, 'Oh, I could come up with a clever Facebook post about that.' It's like, 'Wait a minute - that's not what I should be thinking. I should be present in the moment with my kids.'
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I was surprised to see how much the mainstream environmental movement hates the ELF.