Marshall McLuhan Quotes
Pornography and violence are by-products of societies in which private identity has been...destroyed by sudden environmental change.
Quotes to Explore
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Every man must define his identity against his mother. If he does not, he just falls back into her and is swallowed up.
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I come from a country and also a continent whose identity is in the making. We're a very young culture, and I think that things are not yet crystallised.
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BJP is the mothership of violence.
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There was no United States before slavery. I am sure somebody can make some sort of argument about modern French identity and slavery and North Africa, but there simply is no American history before black people.
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I act because it's the one time I'm sure of my identity. There's no doubt. It's on paper.
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When you meet the love of your life, it's just obvious and natural and easier.
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I think every high school student who was alert during the early '60s got very embittered by the slow progress and the violence surrounding the Civil Rights Movement.
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The Polish freedom movement of 1968 lost its confrontation with police violence; the Prague Spring was crushed by the armies of five Warsaw Pact members. But in both countries, 1968 gave birth to a new political consciousness.
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The simple truth of our finiteness is that we could, by whatever means, go on interminably only at the price of either losing the past and, therewith, our identity, or living only in the past and therefore without a real present. We cannot seriously wish either and thus not a physical enduring at that price.
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Every single time you make a merger, somebody is losing his identity. And saying something different is just rubbish.
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Almost half of the population of the world lives in rural regions and mostly in a state of poverty. Such inequalities in human development have been one of the primary reasons for unrest and, in some parts of the world, even violence.
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I don't even call it violence when it's in self defense; I call it intelligence.
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Most male victims of violence are the victims of other men's violence. So that's something that both women and men have in common. We are both victims of men's violence.
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I come from an acting family, my father was an actor, and I had to fight my way and just create my own identity.
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Horror and panic themselves are forms of violence, and diminishing them, restricting their dimensions, is itself a civilizing act.
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Liberals need to take the advice they routinely give to conservatives: that there are consequences to their divisive rhetoric, and that in their attempts to score political points, they are also inciting violence.
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Describing passive violence in this culture is kinda like someone who is drowning in the middle of the ocean giving you the low-down on water. The only way you can really understand passive violence is by going somewhere far, far away from phones, news, TV, the Internet.
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Violence and chaos were an ever-present part of the world that I grew up in. And unfortunately, it wasn't just in my family. Sometimes, you'd see, you know, Mom fighting with one of her boyfriends. But a lot of times, you'd see people exploding on each other in a local restaurant or on the street.
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Without democracy there is no freedom. Violence, no matter who is using it, is always reactionary.
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I think women tend to write about how violence feels, whereas men tend to write about what violence looks like.
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I am profoundly fascinated by cruelty, fear, horror and death. My films show my preoccupation with violence, the pathology of violence.
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More people died as a result of the tiny abortive Easter Uprising against British rule in Ireland (1916) than died as a result of political violence in Germany during the entire National Socialist revolution.
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The modern artist must live by craft and violence. His gods are violent gods. Those artists, so called, whose work does not show this strife, are uninteresting.
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Pornography and violence are by-products of societies in which private identity has been...destroyed by sudden environmental change.
